The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
103
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
104
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
105
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
106
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
107
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
108
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
109
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
110
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
111
James Gillray, 1756–1815
A Man of Importance
1799
112
James Gillray, 1756–1815
Independence
1799
113
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
114
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
115
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
116
James Gillray, 1756–1815
A Hackney Meeting
1796
117
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
118
James Gillray, 1756–1815
A Portrait ------------
1799
119
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
120
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
121
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
122
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
123
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
124
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
125
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
126
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
127
James Gillray, 1756–1815
A Uniform Whig ---
1791
128
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
129
James Gillray, 1756–1815
The Royal Academy
1786
130
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
131
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
132
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
133
James Gillray, 1756–1815
The Soliloquy
1782
134
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
135
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
136
James Gillray, 1756–1815
A Morning Ride
1804
137
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
138
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
139
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
140
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
141
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
142
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
143
James Gillray, 1756–1815
Le Coup de Maitre
1797
144
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
145
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
146
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
147
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
148
James Gillray, 1756–1815
John Bull Ground Down
1795
149
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
150
James Gillray, 1756–1815
The Tree of Liberty
1797
151
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
152
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
153
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
154
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
155
James Gillray, 1756–1815
The Lover's Dream
1795
156
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
157
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
158
James Gillray, 1756–1815
Presages of the Millenium
1795
159
James Gillray, 1756–1815
Copenhagen House
1795
160
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
161
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
162
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
163
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
164
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
165
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
166
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
167
James Gillray, 1756–1815
Love's Last Shift
1787
168
James Gillray, 1756–1815
Les Trois Magots
1791
169
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
170
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
171
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
172
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
173
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
174
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
175
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
176
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
177
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
178
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
179
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
180
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
181
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
182
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
183
Charles Turner, 1774–1857
James Gillray
1819
184
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
185
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
186
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
187
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
188
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
189
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
190
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
191
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
192
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
193
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
194
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
195
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
196
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
197
James Gillray, 1756–1815
French Liberty - British Slavery
1792
198
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
199
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."