Taking Physick; - or - The News of Shooting the King of Sweden!
1792
303
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
304
James Gillray, 1756–1815
Les Trois Magots
1791
305
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
306
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
307
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
308
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
309
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
310
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
311
James Gillray, 1756–1815
The Republican - Attack
1795
312
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
313
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
314
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
315
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
316
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
317
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
318
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
319
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
320
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
321
James Gillray, 1756–1815
The Soliloquy
1782
322
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
323
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
324
James Gillray, 1756–1815
The Legacy
1786
325
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
326
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
327
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
328
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
329
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
330
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
331
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
332
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
333
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
334
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
335
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
336
James Gillray, 1756–1815
French Liberty - British Slavery
1792
337
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
338
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
339
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
340
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
341
James Gillray, 1756–1815
Ancient Music
1787
342
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
343
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
344
James Gillray, 1756–1815
Malagrida, Driving Post
345
James Gillray, 1756–1815
The Bottomless-Pitt
1792
346
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
347
James Gillray, 1756–1815
The Finishing Touch
1791
348
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
349
James Gillray, 1756–1815
Wha Wants Me?
1792
350
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
351
James Gillray, 1756–1815
Hounds in Full-Cry
1800
352
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
353
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
354
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
355
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
356
James Gillray, 1756–1815
Destruction of the French Collossus
1798
357
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
358
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
359
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
360
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
361
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
362
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
363
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
364
James Gillray, 1756–1815
A Man of Importance
1799
365
James Gillray, 1756–1815
A Hackney Meeting
1796
366
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
367
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
368
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
369
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
370
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
371
James Gillray, 1756–1815
Twas Nobody Saw the Lover's Leap and Let the Cat Out of the Bag
1786
372
James Gillray, 1756–1815
Questions & Commands; or The Mistaken Bad Road to HE-R-F-RD: A Sunday Evenings Amusement
1788
373
James Gillray, 1756–1815
The Westminster Hunt
1788
374
James Gillray, 1756–1815
The Giant - Factotum Amusing Himself (Pitt)
1797
375
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
376
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
377
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
378
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
379
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
380
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
381
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
382
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
383
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
384
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
385
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
386
James Gillray, 1756–1815
Half Natural
1799
387
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
388
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
389
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
390
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
391
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
392
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
393
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
394
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
395
James Gillray, 1756–1815
Delicious Weather
1808
396
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
397
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition