Sprotbrough, the Seat of Sir Joshua Copley, Baronet
1778
804
Thomas Beilby, 1747–1826
Hardwick Hall Country Park
ca. 1775
805
Robert H. Burden, fl.1850–1890
Sketch of a Tower
806
Thomas Beilby, 1747–1826
Conisbrough Castle
ca. 1775
807
Thomas Beilby, 1747–1826
Conisbrough Castle
1775
808
William Blake Richmond, 1842–1921
Standing Girl Holding an Object
undated
809
unknown artist
View up a lane in the park: Man hunting with his three dogs
810
unknown artist
View of side and front of house, including surrounding lawn and trees
811
unknown artist
Man walking down lane towards fence and archway
812
unknown artist
View Across meadow towards house and chapel
813
unknown artist
Study of very large Cedar of Lebanon (?)
814
unknown artist
View Across a meadow from behind a fence and tree
815
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
816
Nicholas Pocock, 1740–1821
Ships and Boats on the River Avon
1786
817
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
818
Myles Birket Foster, 1825–1899
Illustration to 'The Traveller'
1859
819
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
820
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
821
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
822
Augustus Hare, 1834–1903
[One of] Album of 84 original drawings
1853-1860
823
Miss Elizabeth Hart, Born 1887
Volume II - [One of] Views in the Isle of Wight
824
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
undated
825
unknown artist
Kitchen and Dairy, Deepdene
undated
826
unknown artist
Distant View of Deepdene
undated
827
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
828
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
829
unknown artist
View of Bedgebury Park - Entrance Front
undated
830
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
831
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
832
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Piqale Appartenant a Madame la Comtesse Rapp - Cote de la Cour
833
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
834
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
835
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
836
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
837
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
838
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
839
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
840
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
841
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
842
John Leech, 1817–1864
[One from] An Album of 204 drawings for "The Cosmic History of England"
843
John Leech, 1817–1864
From Album One of Original Pencillings
844
unknown artist
View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
undated
845
Thomas Beilby, 1747–1826
Roche Abbey, near Sandbeck
1776
846
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
847
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
848
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
849
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
850
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
851
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
852
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
853
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
854
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
855
unknown artist
Sketchbook containing 50 drawings (some with verso), of figures studies from the antique, etc
ca. 1730
856
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
857
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
858
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
859
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
860
Giles Hussey, 1710–1788
Three studies of classical sculpture of Farnese Hercules
between 1730 and 1768
861
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
862
Giles Hussey, 1710–1788
Studies of classical sculptures of Cesi Juno and Zingara
between 1730 and 1768
863
Giles Hussey, 1710–1788
Study of statue of an Egyptian man
between 1730 and 1768
864
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
865
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
866
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
867
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
868
Giles Hussey, 1710–1788
Two Studies of classical sculpture of Farnese Hercules
between 1730 and 1768
869
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
870
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
871
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
872
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
873
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
874
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
875
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
876
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
877
John Leech, 1817–1864
Two Volumes of Original Pencillings
878
Nathaniel Dance, 1735–1811
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
879
Nathaniel Dance, 1735–1811
Man with Protruding Jaws and Tiny Nose, Facing Left
880
Nathaniel Dance, 1735–1811
Shy, Awakened Couple Standing Together
881
Nathaniel Dance, 1735–1811
Bald Man Held in Stocks, Before a Crowd
882
Thomas D. W. Dearn, 1777–1853
A Country House
1830
883
Thomas D. W. Dearn, 1777–1853
Inside a Cloister
884
Thomas D. W. Dearn, 1777–1853
Two Thatched Cottages
1833
885
Thomas D. W. Dearn, 1777–1853
Sketch of a Country House
1817; 1823
886
Thomas D. W. Dearn, 1777–1853
Ruins of a Cottage
887
Thomas D. W. Dearn, 1777–1853
Two Thatched Cottages, One with a Bird Cage Hanging beside the Front Door
888
Thomas D. W. Dearn, 1777–1853
House in the Mountains with Man in the Front Yard
1831
889
Thomas D. W. Dearn, 1777–1853
Riverside Cottage with Figures on a Stone Bridge
890
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
891
Thomas D. W. Dearn, 1777–1853
Cottage with Sawhorse in the Front Yard
892
Thomas Rowlandson, 1756–1827
Greek warrior with the visor of his helmet drawn over his face
893
Print made by Ralph Hudson, active ca. 1820
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
894
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
895
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
896
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
897
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
898
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
899
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
900
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume