Fruiunentum electorum, et vinum germinans virgines Zach. 9. 17
17
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
18
Francesco Bartolozzi, 1728–1815
Religion
1793
19
Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
20
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
21
Francesco Bartolozzi, 1728–1815
Hercules, Deianeira and Nessus
1762
22
Francesco Bartolozzi, 1728–1815
Death of Dido
23
Francesco Bartolozzi, 1728–1815
Diana and Cupids
undated
24
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
25
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
26
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Long Trumpets..
undated
27
Luigi Schiavonetti, 1765–1810
Virgin and Child
1793
28
Francesco Bartolozzi, 1728–1815
The Last Supper
undated
29
Francesco Bartolozzi, 1728–1815
Two Cupids Supporting Coat of Arms
undated
30
Francesco Bartolozzi, 1728–1815
A Concert Ticket, Composed By, Giovanni Christiano Bach
undated
31
William Walker, 1791–1867
Henry Raeburn
1826
32
Francesco Bartolozzi, 1728–1815
He Was Wounded For Our Transgressions
1802
33
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
34
Francesco Bartolozzi, 1728–1815
A Monk's Head
1796
35
Francesco Bartolozzi, 1728–1815
Portrait Of An Aged Man, Looking Upward
1796
36
Francesco Bartolozzi, 1728–1815
Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes
1789
37
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
38
Francesco Bartolozzi, 1728–1815
Tancred and Erminia
1784
39
Francesco Bartolozzi, 1728–1815
S. Pietro Regalato
1746
40
Francesco Bartolozzi, 1728–1815
Jonah: An Oratorio, Disposed For Voice And Harpsicord
1775
41
Print made by Francesco de Grado, active 1693
Antonio Vandyck
ca. 1693
42
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
43
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
44
Francesco Bartolozzi, 1728–1815
Socrates
1780
45
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
46
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
47
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
48
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
49
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
50
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
51
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
52
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
53
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
54
Print made by Francesco Bartolozzi, 1728–1815
William Woollet
1795
55
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
56
Francesco Bartolozzi, 1728–1815
Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
undated
57
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
58
Francesco Bartolozzi, 1728–1815
Britannia Rewarding Music and Literature
1792
59
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
60
Francesco Bartolozzi, 1728–1815
Vignette: Lettered "Bono Eventui"
undated
61
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
62
Francesco Bartolozzi, 1728–1815
Portrait of A Woman
1796
63
Francesco Bartolozzi, 1728–1815
Man Sitting Crosslegged, Profile
1796
64
Francesco Bartolozzi, 1728–1815
A Man's Face, Front View
1796
65
Francesco Bartolozzi, 1728–1815
The Triumph of Virtue
1795
66
Francesco Bartolozzi, 1728–1815
Angel holding a Feather escorting a Child
1787
67
Francesco Bartolozzi, 1728–1815
Meleager and the Boar
68
Francesco Bartolozzi, 1728–1815
Venus
1781
69
Francesco Bartolozzi, 1728–1815
Bacchanalians
1786
70
Francesco Bartolozzi, 1728–1815
Bacchus amidst Solitary Rocks teaching the Nymphs to make Verses
1801
71
Francesco Bartolozzi, 1728–1815
Narcissus
1763
72
Francesco Bartolozzi, 1728–1815
Paulus Aemelius
1783
73
Francesco Bartolozzi, 1728–1815
The Rape of Cephalus By Aurora
1776
74
Francesco Bartolozzi, 1728–1815
Clytie
1772
75
Francesco Bartolozzi, 1728–1815
The Trinity, Surrounded by Angels
76
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1783
77
Francesco Bartolozzi, 1728–1815
Hermaphrodite
1787
78
Francesco Bartolozzi, 1728–1815
Faun
1787
79
Francesco Bartolozzi, 1728–1815
Cupid Carving A Bow
1785
80
Francesco Bartolozzi, 1728–1815
Laocoon And His Sons Wrestling With Two Snakes
1765
81
Francesco Bartolozzi, 1728–1815
Hercules, Deianeira And Nessus
1787
82
Benjamin Comte, 1760–1851
Narcissus
1814
83
Francesco Bartolozzi, 1728–1815
Bacchus And Bacchante
1787
84
Francesco Bartolozzi, 1728–1815
Mercury, Minerva, And Paris
1787
85
Francesco Bartolozzi, 1728–1815
A Naiad
1779
86
Francesco Bartolozzi, 1728–1815
Nymph And Cupid
1800
87
Francesco Bartolozzi, 1728–1815
The Toilet Of Venus
1788
88
Francesco Bartolozzi, 1728–1815
Medea Murdering Her Two Children
1787
89
Francesco Bartolozzi, 1728–1815
The Judgement Of Paris
1788
90
Francesco Bartolozzi, 1728–1815
Nymphs And Diana Bathing
1787
91
Francesco Bartolozzi, 1728–1815
Nymphs And Putti Sleeping
1787
92
Francesco Bartolozzi, 1728–1815
Venus Sleeping
1785
93
Francesco Bartolozzi, 1728–1815
Perseus Cautiously Relating To Andromeda The Transforming Power Of Medusa's Head