The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
5
James Gillray, 1756–1815
A London Street Crier
undated
6
Charles Williams, active 1796–1830
The Union Club
undated
7
James Gillray, 1756–1815
Hounds in Finding
1800
8
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
9
James Gillray, 1756–1815
Hounds Throwing-Off
1800
10
James Gillray, 1756–1815
Coming-In at the Death
1800
11
James Gillray, 1756–1815
Evacuation Before Resignation
1782
12
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
13
James Gillray, 1756–1815
Les Trois Magots
1791
14
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
15
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
16
James Gillray, 1756–1815
Scene le Vrog House
1782
17
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
18
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
19
James Gillray, 1756–1815
Charming-well again
1804
20
James Gillray, 1756–1815
Breathing a vein
1804
21
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
22
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
23
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
24
James Gillray, 1756–1815
Playing in Parts
1801
25
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
26
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
27
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
28
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
29
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
30
James Gillray, 1756–1815
Fine Bracing Weather
1808
31
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
32
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
33
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
34
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
35
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
36
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
37
James Gillray, 1756–1815
Junction of Parties
1783
38
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
39
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
40
James Gillray, 1756–1815
The Fall of Phaeton
1788
41
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
42
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
43
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
44
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
45
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
46
James Gillray, 1756–1815
Wha Wants Me?
1792
47
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
48
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
49
James Gillray, 1756–1815
Brisk Cathartic
1804
50
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
51
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
52
James Gillray, 1756–1815
National Conveniences
1796
53
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
54
Print made by Joseph Brown, 19th century
James Gillray
1848
55
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
56
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
57
Charles Turner, 1774–1857
James Gillray
1819
58
James Gillray, 1756–1815
The Soliloquy
1782
59
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
60
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
61
James Gillray, 1756–1815
The Legacy
1786
62
Print made by James Gillray, 1756–1815
The Sick Prince
1787
63
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
64
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
65
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
66
James Gillray, 1756–1815
The Battle of Bow-Street
1788
67
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
68
James Gillray, 1756–1815
The English Regency
1789
69
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
70
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
71
Thomas Rowlandson, 1756–1827
Filial Piety
1788
72
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
73
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
74
James Gillray, 1756–1815
The Republican - Attack
1795
75
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
76
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
77
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
78
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
79
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
80
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
81
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
82
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
83
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
84
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
85
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
86
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
87
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
88
James Gillray, 1756–1815
Independence
1799
89
James Gillray, 1756–1815
A Man of Importance
1799
90
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
91
James Gillray, 1756–1815
A Portrait ------------
1799
92
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
93
James Gillray, 1756–1815
A Hackney Meeting
1796
94
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
95
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
96
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
97
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
98
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
99
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
100
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending