-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
302
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
303
James Gillray, 1756–1815
Copenhagen House
1795
304
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
305
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
306
James Gillray, 1756–1815
The Prodigal Son
1787
307
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
308
James Gillray, 1756–1815
Les Trois Magots
1791
309
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
310
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
311
James Gillray, 1756–1815
French Liberty - British Slavery
1792
312
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
313
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
314
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
315
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
316
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
317
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
318
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
319
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
320
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
321
James Gillray, 1756–1815
Love's Last Shift
1787
322
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
323
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
324
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
325
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
326
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
327
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
328
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
329
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
330
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
331
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
332
James Gillray, 1756–1815
The Introduction
1791
333
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
334
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
335
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
336
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
337
James Gillray, 1756–1815
Ancient Music
1787
338
James Gillray, 1756–1815
Wha Wants Me?
1792
339
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
340
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
341
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
342
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
343
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
344
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
345
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
346
James Gillray, 1756–1815
Sawney in the Bog-House
1779
347
James Gillray, 1756–1815
Junction of Parties
1783
348
James Gillray, 1756–1815
The Castle in the Moon
1782
349
James Gillray, 1756–1815
Wouski
1788
350
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
351
James Gillray, 1756–1815
Gillray Caricatures
352
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
353
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
354
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
355
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
356
James Gillray, 1756–1815
The Fall of Phaeton
1788
357
James Gillray, 1756–1815
The Injured Countess
1786-1788
358
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
359
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
360
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
361
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
362
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
363
James Gillray, 1756–1815
Patience on a Monument
1791
364
James Gillray, 1756–1815
Wha Wants Me?
1792
365
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
366
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
367
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
368
James Gillray, 1756–1815
Brisk Cathartic
1804
369
James Gillray, 1756–1815
The Grand - Signior retiring
1796
370
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
371
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
372
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
373
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
374
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
375
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
376
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
377
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
378
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
379
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
380
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
381
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
382
James Gillray, 1756–1815
Pen-etration
1799
383
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
384
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
385
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
386
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
387
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
388
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
389
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
390
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
391
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
392
James Gillray, 1756–1815
Half Natural
1799
393
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
394
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
395
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
396
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
397
James Gillray, 1756–1815
A Prince of the Old School (Boothby Clopton)
1800
398
James Gillray, 1756–1815
Caricatures. London, 1782-1800
1782-1800
399
Possibly James Gillray, 1756–1815
James Gillray
400
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres