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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The House of Commons

The House of Commons
Creator:
Sir James Thornhill, 1675–1734
Date:
after 1731
Materials & Techniques:
Pen and brown ink and brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 6 1/2 inches (31.8 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Mary, Queen of Scots

Mary, Queen of Scots
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Spoiled Child, Scene VI

The Spoiled Child, Scene VI
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Mary, Queen of Scots, Embarking

Mary, Queen of Scots, Embarking
Creator:
William Lock II, 1767–1847
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 17 3/4 inches (30.8 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Royal Rush Light

The Royal Rush Light
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1798
Materials & Techniques:
Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Falstaff Inspecting the Recruits

Falstaff Inspecting the Recruits
Creator:
Francis Hayman, 1707/8–1776
Date:
between 1761 and 1765
Materials & Techniques:
Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Earthquake Scare in Piccadilly

The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Views in the Levant: Death of Wolfe, Study of a Gem

Views in the Levant: Death of Wolfe, Study of a Gem
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on moderately thick, smooth, cream wove paper,
Dimensions:
Sheet: 8 13/16 × 6 13/16 inches (22.4 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
Creator:
William Alexander, 1767–1816
Date:
ca. 1799
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Britannia in Distress

Britannia in Distress
Creator:
Anthony Walker, 1726–1765
Date:
1756
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Coastal Scene with Troops Embarking

Coastal Scene with Troops Embarking
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor, black chalk, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 18 × 29 inches (45.7 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Blessing of the Suez Canal, November 16, 1869

The Blessing of the Suez Canal, November 16, 1869
Creator:
William Simpson, 1823–1899
Date:
after 1869
Materials & Techniques:
Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Sketch for 'The Continence of Scipio'

Sketch for 'The Continence of Scipio'
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 inches (13.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Shah Nujeef

The Shah Nujeef
Creator:
William Simpson, 1823–1899
Date:
1861
Materials & Techniques:
Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Spanish Inquisition

Spanish Inquisition
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Stephen Brought Prisoner to Empress Mathilda

Stephen Brought Prisoner to Empress Mathilda
Creator:
Henry Singleton, 1766–1839
Date:
undated
Materials & Techniques:
Black chalk and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 15 5/8 inches (26 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection