The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)[remove]140
Exhibition HistoryThe Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
103
Print made by James Barry, 1741–1806
King Lear and Cordelia
1776
104
Print made by David Lucas, 1802–1881
Old Sarum
1829 to 1830
105
Print made by John Raphael Smith, 1752–1812
The Slave Trade
1791
106
Print made by John Raphael Smith, 1752–1812
African Hospitality
1791
107
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
108
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
109
James Gillray, 1756–1815
Presages of the Millenium
1795
110
James T. Willmore, 1800–1863
Byron's Dream
1833
111
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
112
Print made by Agostino Brunias, 1728–1796
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
113
Print made by Valentine Green, 1739–1813
Benjamin West and His Son Raphael
1775
114
John Keyse Sherwin, c.1751–1790
William Woollett
1784
115
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
116
Abraham Raimbach, 1784–1868
Key To The Figures In "The Death Of Chatham"
1794
117
Francesco Bartolozzi, 1728–1815
The Death of Chatham
1788
118
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
119
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
120
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
121
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830
122
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
123
John Raphael Smith, 1752–1812
The Indian Widow
1789
124
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
125
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
126
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
127
Joseph Haynes, 1760–1829
Death on a Pale Horse
1784
128
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
129
Print made by John Martin, 1789–1854
The Deluge
1828
130
William Sharp, 1749–1824
Thomas Paine
1793
131
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
132
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832-1834
133
George Townly Stubbs, 1748–1815
The Horse and Lion
1770
134
unknown artist
Key to "Chelsea Pensioners Reading the Gazette of Waterloo"
1829
135
Anker Smith, 1759–1819
War Listening to Peace
136
Print made by James T. Willmore, 1800–1863
Italy - Childe Harold's Pilgrimage
1861
137
John Martin, 1789–1854
Illustrations to Milton's 'Paradise Lost'
1827
138
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Field of Waterloo
1830
139
Peter Simon, 1750–1810
A Midsummer Night's Dream, Act IV, Scene I
c.1796
140
John Burnet, 1784–1868
The Chelsea Pensioners reading the Gazette of the Battle of Waterloo