Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
2
John Maurer, active 1713–1761
The Mansion House
undated
3
William Kent, ca.1686–1748
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
4
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
5
Paul Sandby, 1731–1809
A Group of Men on Westminster Pier
ca. 1752
6
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
7
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
8
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
9
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
10
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
11
Wenceslaus Hollar, 1607–1677
View of the East Part of Southwark, Looking Towards Greenwich
ca. 1638
12
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
13
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
14
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
15
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
16
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
17
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
18
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
19
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
20
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
21
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
22
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
23
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
24
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
25
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
26
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
27
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
28
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
29
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
30
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
31
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
32
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
33
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
34
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
35
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
36
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard