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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkMaterials & Techniques laid paper
Remove constraint Materials & Techniques: laid paperCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- Grotesque Male Head
- undated
2
- Grotesque Female Head
- undated
3
- Grotesque Male Head
- undated
4
- Grotesque Male Head
- undated
5
- Grotesque Male Head
- undated
6
- Grotesque Male Head
- undated
7
- Grotesque Male Head
- undated
8
- Grotesque Male Head
- undated
9
- Grotesque Male Head
- undated
10
- Grotesque Female Head
- undated
11
- Grotesque Male Head
- undated
12
- Grotesque Female Head
- undated
13
- Grotesque Male Head
- undated
14
- Grotesque Female Head
- undated
15
- The Wave
- undated
16
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
17
- Moses Receiving the Law
- ca. 1780
18
- Allegorical female figure: piety holding a nest of pelicans
- undated
19
- Allegorical Female Figure: holding a flaming torch
- undated
20
- Position pour la Garde en Quarte
- 1763
21
- Seconde Position du Salut
- 1763
22
- Quatrieme Position du Salut
- 1763
23
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
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- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
25
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
26
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
27
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
28
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
29
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
30
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
31
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
32
- Du Desarmement sur le Coup de Tierce
- 1763
33
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
34
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
35
- Westminster Bridge from Lambeth Walk
- undated
36
- Premiere Position pour tirer L'Epée
- 1763
37
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
38
- Position pour la Garde en Tierce
- 1763
39
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
40
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
41
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
42
- Troisieme Position du Salut
- 1763
43
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
44
- Premiere Position du Salut
- 1763
45
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
46
- Cinquieme Position du Salut
- 1763
47
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
48
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
49
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
50
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
51
- De la Passe en Quarte du Dehors des Armes
- 1763
52
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
53
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
54
- De la Volte sur la Passe au Dehors des Armes
- 1763
55
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
56
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
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- Position de la Garde Italienne de L'Epée & Poignard
- 1763
58
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
59
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
60
- A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
- 1759
61
- Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
- undated
62
- Mahadeva and Parvati Playing Chaupar
- undated
63
- Ostrich
- 1796
64
- Military Weapons, Female Ornaments, Utencils for Culinary and Religious Purposes
- undated
65
- Rou Water Holder
- undated
66
- Exterior View of Keylas (Kailasanatha)
- ca. 1793
67
- Janwasa Cave, Ellora
- undated
68
- Interior of Viswakarma
- undated
69
- Jeweled Box for Buttee Nuts
- undated
70
- Front View of Teen Talpumsorth
- undated
71
- Exterior View of Keylas (Kailasanatha)
- ca. 1795
72
- Jagannatha Sabha
- undated
73
- Faria Bagh near Ahmednagar
- between 1790 and 1796
74
- Mother Camel and her Calf
- undated
75
- Elephant
- undated
76
- Sketch of an Elaborately Saddled Horse
- ca. 1792
![Gangaram Chintaman Tambat A Fool Named Gungarum [Gangaram]](https://media.collections.yale.edu/thumbnail/ycba/a7099845-92e8-44fa-a9b1-f36a75306cb0)
77
- A Fool Named Gungarum [Gangaram]
- ca. 1790
78
- Chury Burdar
- undated
79
- Two Ladies Wearing Extravagant Plumed Hats
- undated
80
- Kun Futta or Ear Good Joguee
- undated
81
- Utensils
- ca. 1790
82
- The Temple at Ekvera (Karle)
- ca. 1793
83
- The Upper Story of Jagannatha Sabha
- undated
84
- Temple Entrance, Ellora
- undated
85
- Paraswa Rama Sabha
- undated
86
- View of a Rock-Carved Temple, Ellora
- 1793 or 1795
87
- Exterior View of Keylas (Kailasanatha)
- ca. 1795
88
- Bhurt Chullenghan
- undated
89
- Figure from Indus Sabha
- undated
90
- Exterior View of the Temple at Ekvera (Karle)
- ca. 1793
91
- The Waterfall of Doomar Leyna, Dry Except in Rains
- undated
92
- Elaborately Saddled Horse
- undated
93
- A Parsi Priest or Adam
- undated
94
- Man in a Red Turban Sitting Crosslegged
- undated
95
- Man with Prayer Beads
- undated
96
- Man in a Red Turban
- undated
97
- Child with a Red Cloth
- undated
98
- Man with a Black Shawl
- undated
99
- Man with a Red Turban sitting Crosslegged
- undated
100
- Sketch for a Picture of the Peshwa's Saddle
- undated