Materials & Techniques: chine collé / Credit Line: Yale Center for British Art, Paul Mellon Collection

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Materials & Techniques chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

Print made by Robert Wallis, 1794–1878

Havre

1833

Print made by W. R. Smith, active 1819–1851

Whitehaven, Cumberland

1837

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

Print made by William Miller, 1796–1882

Marly

1831

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Dunwich

1819-1826

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Landseer, 1769–1852

High Force or Fall of the Tees

1821

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Scott, 1774–1828

Aysgarth Force

1820

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

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