Materials & Techniques: engraving (printing process) / Author removed ss: after Joseph Mallord William Turner, 1775–1851, British / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: marine art / Image Available: Available / Subject Terms: landscape (representation) and marine art / Classification: Prints

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Materials & Techniques engraving (printing process)

Author removed ss after Joseph Mallord William Turner, 1775–1851, British

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre marine art

Image Available Available

Subject Terms landscape (representation)

Subject Terms marine art

Classification Prints

Print made by William Bernard Cooke, 1778–1855

Lyme Regis

1814

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Miller, 1796–1882

Dunstaffnage

1836

Print made by Edward Francis Finden, 1791–1857

The Red Sea and Suez

1835

Print made by William Bernard Cooke, 1778–1855

Lyme Regis

1814

Print made by James C. Allen, active 1821–1831

Dunwich, Suffolk

1819-1826

Print made by William Miller, 1796–1882

Dunstaffnage

1836

Print made by Robert Brandard, 1805–1862

Between Quileboeuf and Villequier

1834

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Miller, 1796–1882

Dunstaffnage

1836

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