<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Period 19th century

Remove constraint Period: 19th century

Search Results

James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
James Faed Sr. Shakespeare in His Study
James Faed Sr., 1821–1911
Shakespeare in His Study
1859
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
William Henry Worthington Sir Humphrey Davy
Print made by William Henry Worthington, ca. 1790–active 1839
Sir Humphrey Davy
1827
Robert Graves William Esdaile
Print made by Robert Graves, 1798–1873
William Esdaile
1826
Leopold Flameng Grolier with the Printer Aldus Manutius
Print made by Leopold Flameng, 1831–1911
Grolier with the Printer Aldus Manutius
1882
William Sharp William Sharp
Print made by William Sharp, 1749–1824
William Sharp
1817
James Heath William Henry West Betty
James Heath, 1757–1834
William Henry West Betty
1806
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
Charles Brome Emma, Lady Hamilton as 'Ariadne'
Print made by Charles Brome, ca. 1774–1801
Emma, Lady Hamilton as 'Ariadne'
1801
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
Robert Brandard Crossing the Brook
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
John Le Keux St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
1822
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
Samuel Fisher Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
Print made by Samuel Fisher, 1806–1851
Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
between 1821 and 1851
Edward Goodall Rocks at Colgong on the Ganges
Print made by Edward Goodall, 1795–1870
Rocks at Colgong on the Ganges
1836