Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: fence and genre subject

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms fence

Subject Terms genre subject

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 6

1757

Valentine Green, 1739–1813

St. Augustine's Gate, Canterbury

1779

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by Paul Angier, active 1749

A View of Paris

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822

Etched by Thomas Gainsborough, 1727–1788

The Gipsies

1764

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Francesco Bartolozzi, 1728–1815

September

1793

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