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Materials & Techniques gouache

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Period 19th century

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Image Use Free to Use

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Subject Terms lake

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Study for "The Golden Age"
Creator:
Francis Danby, 1793–1861
Date:
1827
Materials & Techniques:
Graphite and gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 7 1/2 x 10 7/8in. (19.1 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Andrew Wyld in honor of Paul Mellon
A Lake in Norway
Creator:
Francis Danby, 1793–1861
Date:
ca. 1825
Materials & Techniques:
Brown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 x 16 5/16 inches (30.9 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moeris and Galatea
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tell's Chapel, Lake Lucerne
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1841
Materials & Techniques:
Watercolor, gouache and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 11 1/4 inches (22.5 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fluelen: Morning (looking towards the lake)
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1845
Materials & Techniques:
Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Derwentwater
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite with stumping and gouache on moderately thick, moderately textured, gray-green wove paper
Dimensions:
Sheet: 6 9/16 x 10 inches (16.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Ullswater, 14 Oct. 1836
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite with stumping and white gouache on moderately thick, moderately textured, gray-green wove paper
Dimensions:
Sheet: 6 1/2 x 9 7/8 inches (16.5 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Yewbarrow, Wastwater, 16 September 1836
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite with stumping and white gouache on moderately thick, moderately textured, gray-green wove paper
Dimensions:
Sheet: 6 3/4 x 10 1/8 inches (17.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Abu Simbel, 1:00 pm, 9 February 1867 (384)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 3 7/8 x 10 1/16 inches (9.8 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Kulat Adde, near Abu Simbel
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 9/16 x 7 11/16 inches (6.5 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Abu Simbel, 1:10 pm, 9 February 1867 (385)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Landscape with Thatched Buildings
Creator:
Amelia Long, 1762–1837
Date:
1809
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/16 × 12 9/16 inches (20.5 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Walenstadt, from Weesen, Switzerland
Creator:
William Callow, 1812–1908
Date:
1842
Materials & Techniques:
Watercolor with pen in brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 9/16 x 25 7/16 inches (44.6 x 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Drifting

Drifting
Creator:
Philip Richard Morris, 1836–1902
Date:
1885
Materials & Techniques:
Black gouache and white gouache on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 25 1/8 × 35 1/2 inches (63.8 × 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, The Edwin Abbey Memorial Collection
Isle of Wight and Kent Sketchbook
Creator:
Clarkson Stanfield, 1793–1867
Date:
1863
Materials & Techniques:
Graphite, watercolor, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 5 1/4 inches (13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Pitch Lake
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1857
Materials & Techniques:
Pen and black ink, gray ink, gray wash, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tryfan, Carnarvonshire
Creator:
George Fennell Robson, 1788–1833
Date:
1826
Materials & Techniques:
Watercolor, gouache and scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 29 15/16 inches (46.4 x 76 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Head of Loch Lomond, with Ben Lomond in the Distance
Creator:
Paul Jacob Naftel, 1817–1891
Date:
1859
Materials & Techniques:
Watercolor and gouache on moderately textured, cream wove paper
Dimensions:
Sheet: 25 × 31 1/2 inches (63.5 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund
Isola Bella, Lago Maggiore
Creator:
John Skinner Prout, 1806–1876
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windermere During the Regatta
Creator:
David Cox, 1783–1859
Date:
1832
Materials & Techniques:
Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Head of Loch Fyne, with Dindarra Castle
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1850
Materials & Techniques:
Watercolor, pen, brown ink, gouache, gum, and graphite, with scraping on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Leighton Leitch, 1804–1883
Date:
1865
Materials & Techniques:
Watercolor, gouache, graphite, and scratching out on thick, textured, cream wove paper, mounted on wood
Dimensions:
Sheet: 26 × 40 inches (66 × 101.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection