Materials & Techniques: graphite / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Genre: architectural subject / Classification: Prints

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Materials & Techniques graphite

Author ss after Joseph Mallord William Turner, 1775–1851, British

Genre architectural subject

Classification Prints

Etched by Joseph Mallord William Turner, 1775–1851

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

1820 to 1825

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by James T. Willmore, 1800–1863

Ancient Italy - Ovid Banished from Rome

1842

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by William Miller, 1796–1882

Brienne

1834

Print made by William Miller, 1796–1882

Scott's Birthplace, no. 39, Castle Street, Edinburgh

1839

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by John Le Keux, 1783–1846

St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

1822

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