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Materials & Techniques graphite

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William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
James Gray Mayhew Two Horsemen
James Gray Mayhew, 1771–1845
Two Horsemen
undated
James Northcote Macbeth and the Witches
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
unknown artist Classical Scene: Minerva as the Goddess of Arts and Sciences
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
Paul Sandby Munn Pale Melancholy
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Francis Sartorius Hunting in a Wood
Francis Sartorius, 1734–1804
Hunting in a Wood
undated
Alfred Diston Man and woman of Chasna-Tenerife
Alfred Diston, active 1818–1829
Man and woman of Chasna-Tenerife
1828
Alfred Diston Peasants of Chasna, Tenerife
Alfred Diston, active 1818–1829
Peasants of Chasna, Tenerife
1825
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780