Materials & Techniques: line engraving and chine collé / Subject Terms: religious and mythological subject

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Materials & Techniques line engraving

Materials & Techniques chine collé

Subject Terms religious and mythological subject

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

James Henry Watt, 1799–1867

St. Cecilia

1834

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiae, Apollo and the Sibyl

1873

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