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Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Image Available Available

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Width [cm] 35

Remove constraint Width [cm]: 35

Subject Terms marine art

Remove constraint Subject Terms: marine art

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Pierre Charles Canot Marine Study No. 1
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1821
George Cooke Land's End, Cornwall
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
James C. Allen Aldborough
Print made by James C. Allen, active 1821–1831
Aldborough
1819-1826
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1823
James C. Allen Aldborough
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
James C. Allen Dunwich
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
Paul Fourdrinier A Sea Engagement between the English and Algerines
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.
Print made by Remi Parr, active 1723–1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
Paul Fourdrinier Sweet William's Farewell to Black Eyed Susan
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated