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Materials & Techniques pen

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Materials & Techniques watercolor

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Collection Prints and Drawings

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Subject Terms boats

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Search Results

Boats on the Nile
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 2 1/16 x 10 3/8 inches (5.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Boats on the Nile
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, blue wove paper
Dimensions:
Sheet: 4 1/16 x 6 1/16 inches (10.3 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Wady Halfeh
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 12 7/16 inches (11.7 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Boats

Boats
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 2 11/16 x 5 1/2 inches (6.8 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
The River Avon: with Passing Vessels
Creator:
Nicholas Pocock, 1740–1821
Date:
1785
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1832
Materials & Techniques:
Watercolor with pen in brown ink over graphite with gouache and arabic gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 10 5/8 inches (34.8 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Old London Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
1825
Materials & Techniques:
Watercolor, and pen and brown ink on moderately thick, textured, beige wove paper
Dimensions:
Sheet: 13 1/4 x 21 1/8 inches (33.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View at Lucerne
Creator:
William Pars, 1742–1782
Date:
1775
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite with brown and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 × 23 1/8 inches (41.9 × 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castle with Figures in a Classical Landscape
Creator:
Robert Adam, 1728–1792
Date:
undated
Materials & Techniques:
Watercolor, pen, and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 12 inches (24.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Arrival of Ferries at London Bridge (?)
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wapping Old Stairs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death Turned Pilot
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1816
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Canterbury-Dover Coach Passing Vanbrugh Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1800
Materials & Techniques:
Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
Creator:
William Anderson, 1757–1837
Date:
1790
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
Mr. Drummond's Cottage, East Cowes, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windermere During the Regatta
Creator:
David Cox, 1783–1859
Date:
1832
Materials & Techniques:
Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund