Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
2
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
3
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
4
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
5
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
6
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
7
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
8
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
9
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
10
William Blake, 1757–1827
Book of Job, Plate 1, Job and His Family
1825
11
William Blake, 1757–1827
Book of Job, Plate 2, Satan before the Throne of God
1825
12
William Blake, 1757–1827
Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes
1825
13
William Blake, 1757–1827
Book of Job, Plate 7, Job's Comforters
1825
14
William Blake, 1757–1827
Book of Job, Plate 8, Job's Despair
1825
15
William Blake, 1757–1827
Book of Job, Plate 9, The Vision of Eliphaz
1825
16
William Blake, 1757–1827
Book of Job, Plate 11, Job's Evil Dreams
1825
17
William Blake, 1757–1827
Book of Job, Plate 12, The Wrath of Elihu
1825
18
William Blake, 1757–1827
Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
1825
19
William Blake, 1757–1827
Book of Job, Plate 15, Behemoth and Leviathan
1825
20
William Blake, 1757–1827
Book of Job, Plate 14, When the Morning Stars Sang Together
1825
21
William Blake, 1757–1827
Book of Job, Plate 16, The Fall of Satan
1825
22
William Blake, 1757–1827
Book of Job, Plate 17, The Vision of Christ
1825
23
William Blake, 1757–1827
Book of Job, Plate 18, Job's Sacrifice
1825
24
William Blake, 1757–1827
Book of Job, Plate 19, Every One also Gave Him a Piece of Money
1825
25
William Blake, 1757–1827
May-Day in London
1784
26
William Blake, 1757–1827
Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan
1825
27
William Blake, 1757–1827
Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
1825
28
William Blake, 1757–1827
Book of Job, Plate 6, Satan Smiting Job with Boils
1825
29
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
30
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
31
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
32
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
33
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
34
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
35
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
36
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
37
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
38
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
39
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
40
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
41
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
42
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
43
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
44
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
45
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
46
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
47
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
48
William Blake, 1757–1827
Beggar's Opera, Act III
1790
49
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
50
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
51
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
52
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
53
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
54
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
55
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
56
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
57
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
58
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
59
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
60
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
61
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
62
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'