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Date 1821

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Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Robert Smirke Stephano and Trinculo with Caliban
Robert Smirke, 1752–1845
Stephano and Trinculo with Caliban
1821
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
Henry Thomas Alken Exhibition Somerset House Tom and Bob
Henry Thomas Alken, 1785–1851
Exhibition Somerset House Tom and Bob
1821
Charles H. Onghena Vue de Charing Cross a Londres
Charles H. Onghena, 1806–1886
Vue de Charing Cross a Londres
undated
Frederick Nash Gate-Way of the Bloody Tower
Frederick Nash, 1782–1856
Gate-Way of the Bloody Tower
1821
James Wyld Plan of Westminster Abbey and Environs for the Coronation of George IV
James Wyld, 1790–1836
Plan of Westminster Abbey and Environs for the Coronation of George IV
1821
Charles J. Hullmandel La Croix de Pierre, Rouen
Charles J. Hullmandel, 1789–1850
La Croix de Pierre, Rouen
1821
Matthew Dubourg Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820
Matthew Dubourg, active 1786–1838
Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820
1821
Sir Jeffry Wyatville Design for Bridge over Great Western Road
Sir Jeffry Wyatville, 1766–1840
Design for Bridge over Great Western Road
ca. 1826
unknown artist The Sacred page Displayed
Print made by unknown artist
The Sacred page Displayed
1821
Isaac Cruikshank Table D'Hote
Isaac Cruikshank, 1764–1811
Table D'Hote
1821
Charles J. Hullmandel View of Palace Yard on the day of the Coronation of His Majesty George IV
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
Thomas Rowlandson Dr Syntax & Dairymaid
Thomas Rowlandson, 1756–1827
Dr Syntax & Dairymaid
1821
William Gauci Dundry Tower, Leigh Wood, Hotwell House, Clifton
William Gauci, active 1825–1854
Dundry Tower, Leigh Wood, Hotwell House, Clifton
undated
John Skinner Prout Isola Bella, Lago Maggiore
John Skinner Prout, 1806–1876
Isola Bella, Lago Maggiore
undated
James H. Kernot Eaux Bonnes, in the Pyrenees
Print made by James H. Kernot, active early 19th century
Eaux Bonnes, in the Pyrenees
undated
Samuel Bradshaw Grenoble, from the Fortress
Print made by Samuel Bradshaw, 1830–1869
Grenoble, from the Fortress
undated
Matthew Dubourg Arrival at Brandenburgh House of the Watermen
Print made by Matthew Dubourg, active 1786–1838
Arrival at Brandenburgh House of the Watermen
1821
Joseph C. Bentley Mountain of the Grande Chartreuse, from Grenoble
Print made by Joseph C. Bentley, 1809–1851
Mountain of the Grande Chartreuse, from Grenoble
undated
Peter DeWint Pass of Sant Alessio between Taormina and Messina, Sicily
after Peter DeWint, 1784–1849
Pass of Sant Alessio between Taormina and Messina, Sicily
1821
Joseph C. Bentley Lac de Gaube, Pyrenees
Print made by Joseph C. Bentley, 1809–1851
Lac de Gaube, Pyrenees
undated
Joseph C. Bentley The Circle of Gavarnie, Pyrenees
Print made by Joseph C. Bentley, 1809–1851
The Circle of Gavarnie, Pyrenees
undated
George Corbould Banks of the Garonne near Bordeaux
Print made by George Corbould, 1786–1846
Banks of the Garonne near Bordeaux
1821
Edward John Roberts Munich
Print made by Edward John Roberts, 1793–1865
Munich
1821
William Woolnoth Suburbs of Strasbourg
Print made by William Woolnoth, active 1806–1830
Suburbs of Strasbourg
1821
Charles Heath Strasbourg
Print made by Charles Heath, 1785–1848
Strasbourg
1821
Charles Heath Auxerre
Print made by Charles Heath, 1785–1848
Auxerre
1821
William Alfred Delamotte View from Stokenchurch Hill, Buckinghamshire
William Alfred Delamotte, 1775–1863
View from Stokenchurch Hill, Buckinghamshire
1821
Alfred Diston The Botanical Garden near Port Orotava, Tenerife
Alfred Diston, active 1818–1829
The Botanical Garden near Port Orotava, Tenerife
1821
Alfred Diston Realejo de arriba, Tenerife
Alfred Diston, active 1818–1829
Realejo de arriba, Tenerife
1821
Robert Hills Orchard Trees at Under River near Knole
Robert Hills, 1769–1844
Orchard Trees at Under River near Knole
ca. 1826
George Cruikshank Conjurer with Pistol and Cards
George Cruikshank, 1792–1878
Conjurer with Pistol and Cards
ca. 1826
Charles Bentley Old Men O'War
Attributed to Charles Bentley, 1806–1854
Old Men O'War
undated
Alfred Diston View from part of Port Orotava, Tenerife from La Caldeva, near Sancho
Alfred Diston, active 1818–1829
View from part of Port Orotava, Tenerife from La Caldeva, near Sancho
1821
Robert Hills Walnut Tree
Robert Hills, 1769–1844
Walnut Tree
ca. 1826
Robert Hills Tree Study with Ivy Clinging to Stump
Robert Hills, 1769–1844
Tree Study with Ivy Clinging to Stump
ca. 1826
William Dyce Culver Cliff, Isle of Wight
William Dyce, 1806–1864
Culver Cliff, Isle of Wight
undated
Rev. Charles Annesley Sillian Tyrol, July 11, 1821
Rev. Charles Annesley, 1787–1863
Sillian Tyrol, July 11, 1821
1821
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Pastorals of Virgil, London, 1821
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
James Ward Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
William Sharp Maternal Affection (Volume of 102 lithographs)
Print made by William Sharp, active 1819–ca. 1837
Maternal Affection (Volume of 102 lithographs)
between 1821 and 1838
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
James Pollard Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course
1821
James Pollard Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom
1821
unknown artist Samuel Johnson
unknown artist
Samuel Johnson
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
James Pollard Racing [set of four]: Coursing. Plate 4. View near Epsom
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 4. View near Epsom
1821
Charles Turner The Interior of the Fives Court with Randall and Turner Sparring
Charles Turner, 1774–1857
The Interior of the Fives Court with Randall and Turner Sparring
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
unknown artist Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur.
unknown artist
Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur
ca. 1826
James Pollard Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom
1821
Thomas Sutherland The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
Thomas Sutherland, ca. 1785–1838
The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
1821
Samuel Fisher Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
Print made by Samuel Fisher, 1806–1851
Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
between 1821 and 1851