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Creator Gender male

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Date 1846

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Subject Terms architectural subject

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The Chapel, Dirleton Castle, Scotland
Creator:
Daniel Wilson, 1816–1892
Date:
1846
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto
Creator:
William Callow, 1812–1908
Date:
1846
Materials & Techniques:
Watercolor with pen in brown and black ink, with graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/16 x 10 1/2 inches (36.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Altar and Processional Crosses
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 10 3/8 × 8 3/8 inches (26.4 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for the Brass Eagle Lectern Base
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Graphite and pen and black ink on moderately thick, smooth, beige paper
Dimensions:
Sheet: 32 1/2 x 27 7/8 inches (82.6 x 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for the Roof Truss, Rampisham Rectory
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
between 1846 and 1848
Materials & Techniques:
Graphite and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 × 12 inches (45.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Gothic Standing Candlesticks and Incense Burners
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 10 1/4 x 16 3/4 inches (26 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
From under the Portico of the Temple of Edfu, Upper Egypt
Creator:
David Roberts, 1796–1864
Date:
1846
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/4 inches (34.6 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Werns, 29 July 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crickhowell Castle, 22 July 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Venice

Venice
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 x 8 7/8 inches (15.2 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Elena Siff Erenberg

11. Ancona

Ancona
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Elena Siff Erenberg
Bay of Baia
Creator:
Calvert Richard Jones, 1802–1877
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 × 9 inches (18.7 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund