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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1791

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Classification Prints

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1. Hay-Makers

Hay-Makers
Creator:
George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Stipple engraving, second state
Dimensions:
Sheet: 16 11/16 x 21 13/16in. (42.4 x 55.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Sleeping Leopard

A Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Set of Five: Five studies of Peddlers

Set of Five: Five studies of Peddlers
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Set of Five: Studies of Laborers

Set of Five: Studies of Laborers
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 21 1/2 x 13 7/8in. (54.6 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Set of Five: Studies of Children, a Dog, a Cat, etc.

Set of Five: Studies of Children, a Dog, a Cat, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Madona Col Bambino

Madona Col Bambino
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/4 × 15 1/8 inches (52.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Sylvia

Sylvia
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Stipple Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 14 15/16 inches (48.9 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Elysium and Tartarus or the State of Final Retribution

Elysium and Tartarus or the State of Final Retribution
Creator:
James Barry, 1741–1806
Date:
1791
Materials & Techniques:
Etching strengthened by engraving
Dimensions:
Plate: 16 1/2 x 36 3/8in. (41.9 x 92.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian
Creator:
William Dickinson, 1746–1823
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/2 × 8 13/16 inches (26.6 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Monmouth House, Soho Square

Monmouth House, Soho Square
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Specimen of Ancient Building (Old houses in King Street)

A Specimen of Ancient Building (Old houses in King Street)
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Samuel Cooper's Monument in St. Pancras Church

Samuel Cooper's Monument in St. Pancras Church
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 x 6 7/8in. (22.9 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. In St. Mary Overie's or St. Saviour's, Southwark

In St. Mary Overie's or St. Saviour's, Southwark
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Curious Pump

A Curious Pump
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A Widow - Une Veuve

A Widow - Une Veuve
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 14 1/4 inches (49.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
Creator:
Print made by James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 x 15 3/4 inches (22.9 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Lollard's Prison

Lollard's Prison
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Pedlar and his Dog, St. Mary's, Lambeth

Pedlar and his Dog, St. Mary's, Lambeth
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A Maid - Une Pucelle

A Maid - Une Pucelle
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. A Wife - Une Femme Mariee

A Wife - Une Femme Mariee
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Sir Paul Pindar's Lodge....

Sir Paul Pindar's Lodge....
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/4 x 9in. (28.6 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Rosamond's Pond

Rosamond's Pond
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. A Curious House at Stepney

A Curious House at Stepney
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A View of Westminster Bridge, the Abbey and Church

A View of Westminster Bridge, the Abbey and Church
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane

Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
Creator:
John Thomas Smith, 1766–1833
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Mary Isabella Manners (née Somerset), Duchess of Rutland

Mary Isabella Manners (née Somerset), Duchess of Rutland
Creator:
John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 15 inches (51.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. A Young Lady

A Young Lady
Creator:
Samuel William Reynolds, 1773–1835
Date:
ca. 1796
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Memorial to Theodore King of Corsica in St. Ann, Westminster

Memorial to Theodore King of Corsica in St. Ann, Westminster
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 6 3/4in. (22.5 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Stowe's Monument in St. Andrew, Undershaft

Stowe's Monument in St. Andrew, Undershaft
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 7 13/16in. (22.5 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Newcastle House, Clerkenwell Close

Newcastle House, Clerkenwell Close
Creator:
Thomas Prattent, active 1780–1810
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 4 3/4 x 6 3/8in. (12.1 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Newgate

Newgate
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Pye Corner, Smithfield

Pye Corner, Smithfield
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. George Horne D.D. Late Lord Bishop of Norwich

George Horne D.D. Late Lord Bishop of Norwich
Creator:
Alfred William Warren, active 1791–1809
Date:
undated
Materials & Techniques:
Steel engraving on medium, slightly textured, cream wove paper
Dimensions:
Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.

A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667

Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Creator:
Bastiaen Stopendael, 1636/7–c.1708
Date:
Published 1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 7/16 x 13 3/8in. (24 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Miss Gunning

Miss Gunning
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
ca. 1796
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 5/16 × 6 1/8 inches (21.1 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Lady Sinclair

Lady Sinclair
Creator:
Print made by Marino Bovi, Italian, 1758–ca.1805
Date:
1791
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 x 9 1/16 inches (31.6 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Concert Ticket: Grand Professional Concert

Concert Ticket: Grand Professional Concert
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Hornsey

Hornsey
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. North End, Hampstead

North End, Hampstead
Creator:
Francis Jukes, 1747–1812
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Hackney

Hackney
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Painting on the South Side Severts Tomb

Painting on the South Side Severts Tomb
Creator:
Jacob C. Schnebbelie, 1760–1792
Date:
1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Gateway of the Old Palace at Richmond

Gateway of the Old Palace at Richmond
Creator:
George Isham Parkyns, 1749/50–c.1820
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. A Sacrifice To Diana The Goddess Of Hunting

A Sacrifice To Diana The Goddess Of Hunting
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. St. Paul

St. Paul
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Departure of Hagar

The Departure of Hagar
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Contemplation

Contemplation
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Hebe

Hebe
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. George, Prince of Wales

George, Prince of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. A View of Albion Mill on Fire

A View of Albion Mill on Fire
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. London Stone in Cannon Street

London Stone in Cannon Street
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. London Stone in Cannon Street

London Stone in Cannon Street
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Sion Lodge

Sion Lodge
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National

Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Getting the Length of the Duchess's Foot

Getting the Length of the Duchess's Foot
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 15 13/16in. (26.4 x 40.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Patience on a Monument

Patience on a Monument
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 x 8in. (30.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. A Witch, Upon a Mount's Edge - Vide: Fuzelli

A Witch, Upon a Mount's Edge - Vide: Fuzelli
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 7 1/4in. (27 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. A Natural Crop; - Alias - A Norfolk Dumpling

A Natural Crop; - Alias - A Norfolk Dumpling
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/8 x 5 5/8in. (18.1 x 14.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. A Uniform Whig ---

A Uniform Whig ---
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/2 x 6 7/8in. (26.7 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-.

The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-.
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Bardolph Badger'd Or the Portland Hunt

Bardolph Badger'd Or the Portland Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Volcano of Opposition

The Volcano of Opposition
Creator:
Print made by Frederick George Byron, 1764–1794
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. African Hospitality

African Hospitality
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. English Barracks

English Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. French Barracks

French Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -

The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. The Introduction

The Introduction
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. La Derniere Resource; - or - Van-Buchells

La Derniere Resource; - or - Van-Buchells
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/4 x 6 3/4in. (26 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill

An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 8 3/4in. (24.4 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Memorial in St. Mary's, Lambeth

Memorial in St. Mary's, Lambeth
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Creator:
Print made by Jean B. Michel, active 1803
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"

The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching with hand coloring in watercolor
Dimensions:
Sheet: 12 x 15in. (30.5 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever

Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 3/16 x 17 7/8in. (31 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Bal(l)ance of Power or a Parody of the 14th of July....1791

Bal(l)ance of Power or a Parody of the 14th of July....1791
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 21 x 16 1/4in. (53.3 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Good News from Madras

Good News from Madras
Creator:
Published by William Holland, 1757–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/4 x 12 1/8in. (33.7 x 30.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. The Duchess's First Levee

The Duchess's First Levee
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 15 3/4 x 23in. (40 x 58.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. An Ass - of the -Ton (Jimmy Lincum Feadle)

An Ass - of the -Ton (Jimmy Lincum Feadle)
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 11/16 x 6 5/16in. (22.1 x 16cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection