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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Subject Terms lake

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Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
Creator:
William Hamilton, 1751–1801
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite with scraping out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Punt under Shelter
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Pen and brown ink, brown chalk over graphite on medium, slightly textured, tan laid paper
Dimensions:
Sheet: 14 11/16 x 18 5/8 inches (37.3 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diavoli Pescatori
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 x 14 15/16 inches (28.2 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Isle of Wight and Kent Sketchbook
Creator:
Clarkson Stanfield, 1793–1867
Date:
1863
Materials & Techniques:
Graphite, watercolor, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 5 1/4 inches (13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Four Elements
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Miraculous Draught of Fishes
Creator:
Print made by John Simon, 1675–1755
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diana and Acteon
Creator:
Print made by John Smith, 1652–1743
Date:
1705
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 15 3/4 inches (29.5 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Temple Perched on a Rocky Outcrop Seen Across a Lake
Creator:
Alexander Runciman, 1736–1785
Date:
ca. 1767
Materials & Techniques:
Watercolor, gray wash, blue wash and pen and black ink; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bridgenorth, Shropshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1801
Materials & Techniques:
Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1833
Materials & Techniques:
Mezzotint (first published state) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 21 3/4 × 17 1/2 inches (55.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Windermere During the Regatta
Creator:
David Cox, 1783–1859
Date:
1832
Materials & Techniques:
Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund