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A Figure in Distress
Creator:
Print made by John Copley, 1875–1950
Date:
1944
Materials & Techniques:
Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 11 5/8 inches (39.4 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Aqueous Equinox
Creator:
John Tunnard, 1900–1971
Date:
1944
Materials & Techniques:
Watercolor, black chalk, gouache, pen and black ink, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
Head of a Girl
Creator:
Print made by Gerald Leslie Brockhurst, 1890–1978
Date:
1944
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 3/4 inches (40.7 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Associates in Fine Arts
The Black Cloak
Creator:
Print made by Gerald Leslie Brockhurst, 1890–1978
Date:
1944
Materials & Techniques:
Etching, stipple engraving, and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 9 1/2 inches (31.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Wall at Ashton Gifford (II)
Creator:
Keith Vaughan, 1912–1977
Date:
1944
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
Killed in Action near Belfort, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
John Gielgud, London, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1983
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cairo, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Pack Mules Returning to Base Camp, Apennines, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1983
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Grave of an Unknown German Soldier, Apennines, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1983
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
South African 6th Division Returning to the Front Line in the Apennines, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1983
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Barricade, Marseille, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Souvenir Gas Mask, Marseille, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Noel Coward in South Africa, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1983
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Woman Punished for Associating with The Germans, St. Tropez, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Leon Gaumont Watching the Allied Troops Pass, the Riviera, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Women Collaborators, St. Tropez, France. 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
General Charles De Gaulle, Besancon, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Liberation in Paris, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
British Boots Replace Clogs, Besancon, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Watching the Soldiers Parade on the Champs Elysees, Paris, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Headquarters, Belfort, France, Allied Invasion, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1990
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Near Luxeuil-les-Bains, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
South African Soldier, Grezzana, Italy, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
German Casualty near Belfort, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Top of the Rise
Creator:
Print made by Clare Leighton, 1898–1989
Date:
1944
Materials & Techniques:
Wood-engraving on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 7/8 inches (20.6 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Jerome Stein
Barnyard Scene
Creator:
Keith Vaughan, 1912–1977
Date:
1944
Materials & Techniques:
Watercolor, gouache and pen and black ink on medium, slightly textured, cream wove paper mounted to heavy board
Dimensions:
Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
St. Paul's Cathedral in the Moonlight
Creator:
Bill Brandt, 1904–1983
Date:
1944, printed 1955-60
Materials & Techniques:
Gelatin silver print on medium, semi-gloss photographic paper
Dimensions:
Sheet: 9 1/4 × 7 7/8 inches (23.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Neglected Beauty, the Great Arch of St. Pancras
Creator:
Bill Brandt, 1904–1983
Date:
1944
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Image: 8 1/8 × 7 inches (20.6 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Courtesy of Marlborough Gallery, New York