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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1827

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John Constable Study of Three Parrot Tulips
Attributed to John Constable, 1776–1837
Study of Three Parrot Tulips
ca. 1832
Not on view
George Vincent A View of Thames Street, Windsor
George Vincent, 1796–1832
A View of Thames Street, Windsor
1827 to 1830
Not on view
James Ward Cattle at a Pool at Sunrise
James Ward, 1769–1859
Cattle at a Pool at Sunrise
1827
Not on view
William Collins Frost Scene
William Collins, 1788–1847
Frost Scene
1827
Not on view
John Ferneley Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
Richard Redgrave Self-Portrait
Richard Redgrave, 1804–1888
Self-Portrait
ca. 1832
Not on view
Sir Francis Leggatt Chantrey George IV
Sir Francis Leggatt Chantrey, 1781–1841
George IV
1827
Not on view
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
Thomas Jeavons Exeter
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
Thomas Jeavons Exeter
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
Robert Wallis Buckfastleigh Abbey, Devonshire
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1827
Thomas Jeavons Vesuvius in Eruption
Print made by Thomas Jeavons, ca. 1800–1867
Vesuvius in Eruption
1827
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
William James Muller Young Fisherman
William James Muller, 1812–1845
Young Fisherman
undated
William James Muller Miniyeh, (El Minya)
William James Muller, 1812–1845
Miniyeh, (El Minya)
undated
James Pattison Cockburn Advanced Guard - Sunrise
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
Welby Sherman Shepherd and Shepherdess by Moonlight
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834
The Fortune Teller
1827
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878
Sketches of Towns People
1827
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
William James Muller A Mountain Torrent
William James Muller, 1812–1845
A Mountain Torrent
undated
William James Muller Farm Buildings
William James Muller, 1812–1845
Farm Buildings
undated
Charles Westwood Carisbrook Castle, Isle of Wight
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
Charles Westwood Carisbrook Castle, Isle of Wight
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838