Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
2
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
3
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
4
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
5
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
6
Print made by Bernard Lens II, 1659–1725
Italianate Garden Terrace
1680-1690s
7
Print made by Bernard Lens II, 1659–1725
The Tomb of Mary Magdalene
1690s
8
Print made by Bernard Lens II, 1659–1725
Garden Perspective
1680-1690s
9
James Thomson, 1800–1883
Grittleton, West Front Elevation, No.5
1851
10
James Thomson, 1800–1883
Grittleton, East Front Elevation, No.7
1851
11
Print made by Benedetto Pastorini, Italian, ca.1746–after 1803
Inside View of the Theatre Royal, Drury Lane
1775
12
Print made by Robert Robinson, active 1674–1706
Woman Seated in a Landscape with a Bridge
between 1683 and 1695
13
Print made by Robert Robinson, active 1674–1706
Two Women at a Fountain
undated
14
Print made by Robert Robinson, active 1674–1706
Couple Strolling in an Italianate Garden
1680s
15
David Cox, 1783–1859
The Opening of New London Bridge
1831
16
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)