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Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
Creator:
Johan Joseph Zoffany, 1733–1810
Date:
1767
Materials & Techniques:
Oil on canvas
Dimensions:
51 1/4 x 65 inches (130.2 x 165.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The First Appearance of William Shakespeare on the Stage of the Globe Theatre
Creator:
George Cruikshank, 1792–1878
Date:
1864 to 1865
Materials & Techniques:
Oil on canvas
Dimensions:
27 7/8 x 21 7/8 inches (70.8 x 55.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1888
Materials & Techniques:
Pen and black ink and graphite on thick, smooth, beige card
Dimensions:
Sheet: 12 3/4 x 10 1/2 inches (32.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund
Interior of the New Bedford
Creator:
Spencer Frederick Gore, 1878–1914
Date:
between 1908 and 1909
Materials & Techniques:
Black chalk, white chalk and graphite, squared for transfer on medium, slightly textured, mauve wove paper
Dimensions:
Sheet: 14 1/2 x 10 inches (36.8 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Sketches of a Stage and Bar
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
Cave of the Golden Calf: Study for Stage
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Crayon on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cave of the Golden Calf: Study for Mural
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite and pastel on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, graphite, and pastel on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 15 1/2 inches (30.5 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Warren Mitchell and Cast in 'The Council of Love' by Oscar Panizza, Criterion Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1970, printed 1998
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 19 7/8 × 16 inches (50.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Liverpool, the Cavern
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Warren Mitchell and Cast in 'The Council of Love' by Oscar Panizza, Criterion Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1970
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Warren Mitchell and Cast in 'The Council of Love' by Oscar Panizza, Criterion Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1970
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy