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Joseph Mallord William Turner Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilight
Joseph Mallord William Turner, 1775–1851
Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilight
1799
Not on view
Jessica Landseer Village Scene (possibly Colickey Green, Essex)
Jessica Landseer, 1807–1880
Village Scene (possibly Colickey Green, Essex)
1817
Not on view
John James Chalon A View of Theobald's Park, Hertfordshire
John James Chalon, 1778–1854
A View of Theobald's Park, Hertfordshire
ca. 1840
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
unknown artist The Mall
unknown artist
The Mall
between 1740 and 1750
Not on view
unknown artist Schloss Rosenau, Coburg
unknown artist
Schloss Rosenau, Coburg
1841 to 1844
Not on view
George Vincent A View of Thames Street, Windsor
George Vincent, 1796–1832
A View of Thames Street, Windsor
1827 to 1830
Not on view
Sir David Wilkie Sketch for 'The Reading of a Will'
Sir David Wilkie, 1785–1841
Sketch for 'The Reading of a Will'
1820
Not on view
unknown artist View of Horse Guards and Whitehall
unknown artist
View of Horse Guards and Whitehall
ca. 1750
Not on view
Robert Hannah Refreshing the Weary
Robert Hannah, 1812–1909
Refreshing the Weary
ca. 1847
Not on view
William Edward Frost The Three Graces
William Edward Frost, 1810–1877
The Three Graces
1856
Not on view
Paul Sandby An Unfinished View of the West Gate, Canterbury
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome
1776
Not on view
George Smith Hop Pickers Outside a Cottage
George Smith, 1714–1776
Hop Pickers Outside a Cottage
mid-18th century
Not on view
John Wootton Classical Landscape: Morning
John Wootton, 1682–1764
Classical Landscape: Morning
between 1740 and 1745
Not on view
Peter Tillemans The Round Course at Newmarket, Cambridgeshire, Preparing for the King's Plate
Peter Tillemans, 1684–1734
The Round Course at Newmarket, Cambridgeshire, Preparing for the King's Plate
ca. 1725
Not on view
Charles Turner An Extensive View of the Oxford Races
Charles Turner, 1774–1857
An Extensive View of the Oxford Races
ca. 1820
Not on view
George Vincent A View of Cheddar Gorge
George Vincent, 1796–1832
A View of Cheddar Gorge
ca. 1820
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
Robert Salmon The Low Lighthouse, North Shields
Robert Salmon, 1775–ca.1845
The Low Lighthouse, North Shields
1828
Not on view
George Jones The Passing of the Great Emancipation Act
George Jones, 1786–1869
The Passing of the Great Emancipation Act
ca. 1829
Not on view
Louis Laguerre Sketch for an oval ceiling
Attributed to Louis Laguerre, 1663–1721
Sketch for an oval ceiling
ca. 1705
Not on view
Canaletto The City from Near the Terrace of Somerset House
Canaletto, 1697–1768
The City from Near the Terrace of Somerset House
ca. 1750
Not on view
George Cruikshank Herne's Oak from 'The Merry Wives of Windsor,' V, v
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
John Ferneley Archery Meeting in Bradgate Park, Leicestershire
John Ferneley, 1782–1860
Archery Meeting in Bradgate Park, Leicestershire
1850
Not on view
Thomas Stothard Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
Thomas Stothard, 1755–1834
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
unknown artist Pierrepont House, Nottingham, Nottinghamshire
unknown artist
Pierrepont House, Nottingham, Nottinghamshire
ca. 1705
Not on view
Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
Robert Smirke The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Pieter Angillis Covent Garden
Pieter Angillis, 1685–1734
Covent Garden
ca. 1726
Not on view
unknown artist Ely Cathedral
unknown artist
Ely Cathedral
ca. 1800
Not on view
Joseph Nickolls Charing Cross, with the Statue of King Charles I and Northumberland House
Joseph Nickolls, active 1713–ca. 1755
Charing Cross, with the Statue of King Charles I and Northumberland House
ca. 1750
Not on view
Canaletto Westminster from Near the Terrace of Somerset House
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
Samuel Collings Frost on the Thames
Samuel Collings, active 1784–1795
Frost on the Thames
1788 to 1789
Not on view
William Frederick Witherington Mid-Day Rest, Harvest
William Frederick Witherington, 1785–1865
Mid-Day Rest, Harvest
ca. 1840
Not on view
Richard Dadd Fish Market by the Sea
Richard Dadd, 1817–1886
Fish Market by the Sea
ca. 1860
Not on view
Benjamin West The Bathing Place at Ramsgate
Benjamin West, 1738–1820
The Bathing Place at Ramsgate
ca. 1788
Not on view
Johan Joseph Zoffany The Drummond Family
Johan Joseph Zoffany, 1733–1810
The Drummond Family
ca. 1769
Not on view
Agostino Brunias A Linen Market with a Linen-stall and Vegetable Seller in the West Indies
Agostino Brunias, 1728–1796
A Linen Market with a Linen-stall and Vegetable Seller in the West Indies
ca. 1780
Not on view
Arthur Devis Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire
Arthur Devis, 1712–1787
Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
Francis Wheatley Evening
Francis Wheatley, 1747–1801
Evening
1799
Not on view
Roma Higgins The Kitchen Tea
Roma Higgins, 1908–1979
The Kitchen Tea
undated
Not on view
William Redmore Bigg Birth of the Heir
William Redmore Bigg, 1755–1828
Birth of the Heir
ca. 1799
Not on view
William Redmore Bigg Christening of the Heir
William Redmore Bigg, 1755–1828
Christening of the Heir
ca. 1799
Not on view
Canaletto Old Walton Bridge
Canaletto, 1697–1768
Old Walton Bridge
1755
Not on view
Agostino Brunias Linen Market, Dominica
Agostino Brunias, 1728–1796
Linen Market, Dominica
ca. 1780
Not on view
Agostino Brunias Market Day, Roseau, Dominica
Agostino Brunias, 1728–1796
Market Day, Roseau, Dominica
ca. 1780
Not on view
William Collins May Day
William Collins, 1788–1847
May Day
between 1811 and 1812
Not on view
Francis Wheatley Morning
Francis Wheatley, 1747–1801
Morning
1799
Not on view
Francis Wheatley Night
Francis Wheatley, 1747–1801
Night
1799
Not on view
Benjamin West The Apotheosis of Nelson
Benjamin West, 1738–1820
The Apotheosis of Nelson
1807
Not on view
William Redmore Bigg The Severe Steward, or Unfortunate Tenant
William Redmore Bigg, 1755–1828
The Severe Steward, or Unfortunate Tenant
between 1800 and 1801
Not on view
William Redmore Bigg The Benevolent Heir or the Tenant Restored to his Family
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
Julius Caesar Ibbetson A Married Sailor's Adieu
Julius Caesar Ibbetson, 1759–1817
A Married Sailor's Adieu
ca. 1800
Not on view
Helen Bradley George and I Go Fishing
Helen Bradley, 1900–1979
George and I Go Fishing
1966
Not on view
Philippe-Jacques de Loutherbourg The Rainbow
Philippe-Jacques de Loutherbourg, 1740–1812
The Rainbow
1784
Not on view
Henry Dawson London from Greenwich Hill
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
Not on view
Maria Spilsbury A Sunday School
Maria Spilsbury, 1777–1820
A Sunday School
1803
Not on view
Thomas Gainsborough Mountain Valley with Figures and Distant Village
Thomas Gainsborough, 1727–1788
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
unknown artist The Bell Tower of Evesham
unknown artist
The Bell Tower of Evesham
ca. 1795
Not on view
Charles Philips The Watson-Wentworth and Finch Families
Charles Philips, 1708–1747
The Watson-Wentworth and Finch Families
ca. 1732
Not on view
James Pollard North Country Mails at the Peacock, Islington
James Pollard, 1792–1867
North Country Mails at the Peacock, Islington
1821
Not on view
John Linnell Hanson Toot, View in Dovedale
John Linnell, 1792–1882
Hanson Toot, View in Dovedale
1815, reworked, 1846, 1854, and 1870
Not on view
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Jerusalem, Plate 54, "In Great Eternity...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision; Plate 15
1793
William Blake Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789