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Period 18th century
Remove constraint Period: 18th centuryImage Use Free to Use
Remove constraint Image Use: Free to UseSubject Terms genre subject
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101
- Market Day, Roseau, Dominica
- ca. 1780
- Not on view
102
- West Indian Man of Color, Directing Two Carib Women with a Child
- ca. 1780
- Not on view
103
- A Man Carrying Faggots
- ca. 1799
- Not on view
104
- Planter and his Wife, with a Servant
- ca. 1780
- Not on view
105
- A West Indian Creole Woman Attended by her Black Servant
- ca. 1780
- Not on view
106
- A Whole Length of a Lady of Neturrio, a Sea-port in the Pope's Territories
- Exhibited 1762
- Not on view
107
- Coach in a Thunderstorm
- ca. 1795
- Not on view
108
- A Romany Encampment
- ca. 1790
- Not on view
109
- View of Shepperton on the River Thames
- after 1752
- Not on view
110
- Portrait of an Unknown Man with an Attendant
- ca. 1785
- Not on view
111
- A Midnight Modern Conversation
- ca. 1732
- Not on view
112
- Four Servants of Ston Easton Estate
- 1776
- Not on view
113
- A Club of Gentlemen
- ca. 1730
- Not on view
114
- Hob's Defence
- ca. 1725
- Not on view
115
- Hob Selling Beer at the Wake
- ca. 1725
- Not on view
116
- Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
- ca. 1790
- Not on view
117
- Lady Jane Mathew and Her Daughters
- ca. 1790
- Not on view
118
- British Gentlemen in Rome
- ca. 1750
- Not on view
119
- Landscape with Milkmaid
- between 1754 and 1756
- Not on view
120
- A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
- late 18th century?
- Not on view
121
- A Dinner Conversation
- between 1735 and 1740
- Not on view
122
- Lovers in a Park
- ca. 1745
- Not on view
123
- Lovers in a glade
- between 1750 and 1755
- Not on view
124
- Scene in a park, with figures from the Commedia dell'Arte
- ca. 1735
- Not on view
125
- The Practical Joke
- ca. 1740
- Not on view
126
- Selling Guinea Pigs
- ca. 1789
- Not on view
127
- Fishmonger's stall
- 1737
- Not on view
128
- Widow Costard's cow and goods, distrained for taxes, are redeemed by the generosity of Johnny Pearmain
- 1782
- Not on view
129
- Winter Landscape
- 1790
- Not on view
130
- Indian girl
- 1793
- Not on view
131
- Portrait of a Man and a Boy Looking at Prints
- between 1765 and 1770
- Not on view
132
- Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
- 1745
- Not on view
133
- Children Playing with a Hobby Horse
- between 1741 and 1747
- Not on view
134
- The Profligate Punished by Neglect
- 1774
- Not on view
135
- A Shepherdess with a Bird's Nest
- ca. 1750
- Not on view
136
- Academy by Lamplight
- 1769
- Not on view
137
- View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground
- ca. 1755
- Not on view
138
- Ecorché Figure
- ca. 1767
- Not on view
139
- The Farmer's Wife and the Raven
- 1788
140
- The First Stage of Cruelty
- ca. 1750
141
- Grotesque Male Head
- undated
142
- A Midnight Modern Conversation
- 1733
143
- Southwark Fair
- 1733
144
- The Sleeping Congregation
- 1736
145
- Beer Street
- 1751
146
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
147
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
148
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
149
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
150
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
151
- Study for the Foundlings
- ca. 1739
152
- Christ Church Gate, Canterbury
- 1793 to 1794
153
- Autumn Sowing of the Grain
- ca. 1794
154
- Newark - upon - Trent
- ca. 1796
155
- Interior of St. John's Palace, Eltham
- ca. 1793
156
- Man with Horse and Cart Entering a Quarry
- ca. 1797
157
- The Angler
- 1794
158
- Landscape with Trees and Figures
- ca. 1796
159
- Spring, from Songs of Innocence
- ca. 1795
160
- The Shepherd, from Songs of Innocence
- ca. 1795
161
- Figure Composition Study 36
- undated
162
- Figure Composition Study 37
- undated
163
- Figure Composition Study 39
- undated
164
- Study of Two Seated Figures
- undated
165
- Figure Composition Study 41
- undated
166
- Figure Composition Study 42
- undated
167
- Figure Study 4
- undated
168
- Figure Composition Study 43
- undated
169
- Figure Composition Study 45
- undated
170
- Figure Composition Study 46
- undated
171
- Figure Composition Study 47
- undated
172
- Figure Study 10
- undated
173
- Figure Study 6
- undated
174
- Figure Composition Study 30
- undated
175
- Figure Composition Study 33
- undated
176
- Figure Composition Study 34
- undated
177
- Figure Composition Study 31
- undated
178
- Figure Composition Study 32
- undated
179
- Study of Three Women
- undated
180
- Male Head 2
- undated
181
- Study of a Standing Figure
- undated
182
- Figure Composition Study 48
- 1793
183
- Figure Composition Study 49
- undated
184
- Figure Composition Study 50
- undated
185
- Study of Two Figures and a Face
- undated
186
- Study of a Seated Woman
- undated
187
- Composition of Two Figures
- undated
188
- Figure Study Eleven
- undated
189
- Figure Study Twelve
- undated
190
- Figure Study Thirteen
- undated
191
- Female Figure
- undated
192
- Figure Study 5
- undated
193
- Figure Study 1
- undated
194
- Figure Study 7
- undated
195
- Figure Composition Study 2
- undated
196
- Figure Composition Study 5
- undated
197
- Figure Composition Study 7
- undated
198
- Figure Composition Study 9
- undated
199
- Figure Composition Study 35
- undated
200
- Figure Composition Study 40
- undated