Collection of Portraits & Other Engravings. Many in proof state. (bound with) Views of Iceland by W. J. Hooker
231
Prints made by Cecelia Lucy Brightwell, 1811–1875
A Collection of Etchings...after Cotman, Fuseli, Rembrandt, Durer, Roysdael, Caracci, after her own designs
232
Carolina Leighton, active 1796
Album of Twenty Etchings of Shakespearian Subjects
1796
233
Adeline S. Illingworth, 1858–ca.1930
On the Wall, Klingen Thor in Rothenburg
1899
234
Langlands & Bell, since 1978
"Opening" and "Capture": a typical section/elevation
1999
235
Langlands & Bell, since 1978
"Opening" and "Capture": a plan of "Opening"
1999
236
Langlands & Bell, since 1978
"Opening" and "Capture": a plan of "Capture"
1999
237
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
238
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
239
James Gillray, 1756–1815
Pen-etration
1799
240
Print made by William Baillie, 1723–1810
Portrait of Sofonisba Angusciola Pittrice
between 1761 and 1786
241
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
242
Francesco Bartolozzi, 1728–1815
Invention
1787
243
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
244
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
245
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
246
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
247
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
248
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
249
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
250
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "A Conspiracy of Silence" - plate 1
1929
251
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Put down one & carry two" - plate 3
1929
252
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes."The Comte de Pralines" - plate 4
1929
253
Harriet Scott, 1819–1894
[One from] An Album containing 74 views of Hadrian's Villa and the Centro Camerelle near Tivoli
254
Harriet Scott, 1819–1894
[One from] An Album containing 74 views of Hadrian's Villa and the Centro Camerelle near Tivoli
255
Harriet Scott, 1819–1894
[One from] An Album containing 74 views of Hadrian's Villa and the Centro Camerelle near Tivoli
256
Harriet Scott, 1819–1894
[One from] An Album containing 74 views of Hadrian's Villa and the Centro Camerelle near Tivoli
257
Harriet Scott, 1819–1894
[One from] An Album containing 74 views of Hadrian's Villa and the Centro Camerelle near Tivoli
258
Harriet Scott, 1819–1894
[One from] An Album containing 74 views of Hadrian's Villa and the Centro Camerelle near Tivoli
259
Harriet Scott, 1819–1894
[One from] An Album containing 74 views of Hadrian's Villa and the Centro Camerelle near Tivoli
260
Harriet Scott, 1819–1894
[One from] An Album containing 74 views of Hadrian's Villa and the Centro Camerelle near Tivoli
261
Francesco Bartolozzi, 1728–1815
The Three Fine Arts (Fan)
262
Amelia Long, 1762–1837
Terrace and the Conservatory Room. Bromley Hill
between 1801 and 1837
263
Print made by Susan Fletcher Crawford, active 1892–died 1919
Railway and Commercial Hotel, Stirling
undated
264
Print made by Susan Fletcher Crawford, active 1892–died 1919
Old Castle of Gloom (Castle Campbell)
undated
265
Shirley Mensforth, born 1936
Westminster Abbey: Royal Effigies
1961
266
Mabel Catherine Robinson, Born 1875
Staple Inn, Holborn
1907
267
unknown artist
The Old Houses, Holborn
268
unknown artist
Staple's Inn, Holborn
1800
269
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Occasional Licenses" - plate 2
1929
270
Louisa Augusta Greville, 1743–active 1762
Clerical figure with three balls balanced between his hands
ca. 1762
271
Print made by Louisa Augusta Greville, 1743–active 1762
Landscape with a Youth Driving a Flock of Sheep
1761
272
Louisa Augusta Greville, 1743–active 1762
Pastoral scene with river, cattle and woman conversing with a traveller
1762
273
Louisa Augusta Greville, 1743–active 1762
Horseman approaching three arched bridge. Pedestrians on road
undated
274
Print made by Jean Marie Delatre, 1746–1840
The Death of Mark Antony
1805
275
Pauline Baynes, 1922–2008
Haymaking, 15th Century
ca. 1949
276
Pauline Baynes, 1922–2008
The Grape Harvest, 15th Century
ca. 1949
277
Print made by Jacobus Houbraken, 1698–1780
Portrait of George Savile, Marquis of Hallifax
1740
278
Miss Elizabeth Hart, Born 1887
Volume I of II - Views in Staffordshire and Derbyshire
279
Mary Howard, 19th century
Volume of 46 Drawings of Landscapes, Seascapes, Churches and Period Costumes [and 1 photograph]
280
Dame Elizabeth Violet Blackadder, 1931–2021
Japanese Still Life with Orchids
1983
281
Print made by Dame Elizabeth Violet Blackadder, 1931–2021
Still Life with Wooden Puzzles
1983
282
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
283
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
284
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
285
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
286
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
287
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
288
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
289
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
290
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
291
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
292
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
293
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
294
James Gillray, 1756–1815
Half Natural
1799
295
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
296
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine