The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
302
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
303
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
304
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
305
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
306
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
307
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
308
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
309
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
310
James Gillray, 1756–1815
A Morning Ride
1804
311
James Gillray, 1756–1815
The Republican - Attack
1795
312
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
313
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
314
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
315
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
316
James Gillray, 1756–1815
Destruction of the French Collossus
1798
317
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
318
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
319
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
320
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
321
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
322
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
323
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
324
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
325
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
326
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
327
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
328
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
329
James Gillray, 1756–1815
A Man of Importance
1799
330
James Gillray, 1756–1815
Independence
1799
331
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
332
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
333
James Gillray, 1756–1815
A Hackney Meeting
1796
334
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
335
James Gillray, 1756–1815
A Portrait ------------
1799
336
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
337
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
338
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
339
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
340
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
341
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
342
James Gillray, 1756–1815
Patience on a Monument
1791
343
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
344
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
345
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
346
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
347
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
348
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
349
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
350
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
351
James Gillray, 1756–1815
The Royal Academy
1786
352
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
353
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
354
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
355
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
356
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
357
James Gillray, 1756–1815
The Bubbles of Opposition
1788
358
James Gillray, 1756–1815
The Friendly Agent
1787
359
James Gillray, 1756–1815
John Bull Triumphant
1780
360
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
361
James Gillray, 1756–1815
The Triumphant Britons
1780
362
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
363
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
364
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
365
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
366
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
367
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
368
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
369
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
370
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
371
James Gillray, 1756–1815
Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)
1798
372
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
373
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
374
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
375
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1804
376
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
377
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
378
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
379
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
380
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
381
James Gillray, 1756–1815
Pen-etration
1799
382
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
383
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
384
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
385
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
386
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
387
James Gillray, 1756–1815
Hope
1802
388
James Gillray, 1756–1815
Bologna Sausages, or Opposition Flux'd
1788
389
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
390
James Gillray, 1756–1815
The Comforts of a Rumford Stove
1800
391
James Gillray, 1756–1815
Georgey in the Coal - Hole. (Colonel Hanger)
1800
392
James Gillray, 1756–1815
One of the Advantages of a Low Carriage
1801
393
James Gillray, 1756–1815
Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)
1800
394
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
395
James Gillray, 1756–1815
Governor Wall's Ghost
1802
396
James Gillray, 1756–1815
Lordly Elevation
1802
397
James Gillray, 1756–1815
A Bouquet of the Last Century
1802
398
James Gillray, 1756–1815
Political Dreamings! - Visions of Peace! Prospective Horrors
1801
399
James Gillray, 1756–1815
French-Taylor, Fitting John Bull - With a "Jean-de-Bry"
1800
400
James Gillray, 1756–1815
A Standing - Dish at Boodle's: Vide a Deuced Good Cocoa - Tree Pun. - (Sir Frank Standish)