Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
303
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
304
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
305
James Gillray, 1756–1815
Evacuation Before Resignation
1782
306
James Gillray, 1756–1815
The Republican - Attack
1795
307
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
308
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
309
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
310
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
311
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
312
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
313
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
314
James Gillray, 1756–1815
The Legacy
1786
315
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
316
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
317
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
318
Print made by James Gillray, 1756–1815
The Sick Prince
1787
319
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
320
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
321
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
322
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
323
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
324
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
325
James Gillray, 1756–1815
The Tottering Pyramid
1784
326
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
327
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
328
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
329
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
330
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
331
James Gillray, 1756–1815
The Battle of Bow-Street
1788
332
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
333
James Gillray, 1756–1815
The English Regency
1789
334
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
335
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
336
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
337
Thomas Rowlandson, 1756–1827
Filial Piety
1788
338
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
339
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
340
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
341
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
342
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
343
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
344
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
345
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
346
James Gillray, 1756–1815
Le Coup de Maitre
1797
347
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
348
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
349
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
350
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
351
James Gillray, 1756–1815
The Tree of Liberty
1797
352
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
353
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
354
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
355
James Gillray, 1756–1815
United Irishmen in Training
1798
356
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
357
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
358
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
359
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
360
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
361
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
362
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
363
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
364
Charles Turner, 1774–1857
James Gillray
1819
365
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
366
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
367
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
368
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
369
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
370
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
371
James Gillray, 1756–1815
Caricatures. London, 1782-1800
1782-1800
372
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
373
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
374
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
375
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
376
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
377
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
378
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
379
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
380
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
381
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
382
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
383
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
384
James Gillray, 1756–1815
Pen-etration
1799
385
James Gillray, 1756–1815
Half Natural
1799
386
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
387
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
388
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
389
James Gillray, 1756–1815
The Political Hydra
1788
390
James Gillray, 1756–1815
The French Consular Triumvicate Settling the New Constitution. With a Peep at the Constitutional-Pidgeon-Holes of the Abbe Seiyes - In the Back Ground
1797
391
James Gillray, 1756–1815
Captain Townshend
1800
392
James Gillray, 1756–1815
Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)
1800
393
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
394
James Gillray, 1756–1815
Lordly Elevation
1802
395
James Gillray, 1756–1815
Governor Wall's Ghost
1802
396
James Gillray, 1756–1815
A Bouquet of the Last Century
1802
397
James Gillray, 1756–1815
Political Dreamings! - Visions of Peace! Prospective Horrors