Literary Characters Assembled Around the Medallion of Shakespeare
1776
2
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
3
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
4
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
5
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
6
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
7
Robert Smirke, 1752–1845
Two Women Enjoying Their Time by a Stream
undated
8
Robert Smirke, 1752–1845
Claudio and Isabella
1823
9
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
10
Robert Smirke, 1752–1845
Viola and Olivia
1822
11
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
12
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
13
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
14
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
15
Robert Smirke, 1752–1845
Katherina and Grumio
1821
16
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
17
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
18
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
19
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
20
Robert Smirke, 1752–1845
Oberon and Puck
1825
21
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
22
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
23
Robert Smirke, 1752–1845
Study of an Interior Scene, with Roman Soldiers
undated
24
Robert Smirke, 1752–1845
Study of Nude Figures in a Wooded Area
undated
25
Robert Smirke, 1752–1845
Study of a Woman, Imploring for the Return of Her Captive Child
undated
26
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
27
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
28
Robert Smirke, 1752–1845
Figure Studies of a Group of People in a Wooded Clearing
undated
29
Robert Smirke, 1752–1845
Study for a Relief with Romanesque Figures
undated
30
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
31
Robert Smirke, 1752–1845
Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed
undated
32
Robert Smirke, 1752–1845
Studies of Figures and Seals from Sandfords Geneal History
undated
33
Robert Smirke, 1752–1845
Study of a Semi-Nude Woman, Sitting, with Her Arms Raised Over Her Head
undated
34
Robert Smirke, 1752–1845
Study of a Woman and Child
undated
35
Robert Smirke, 1752–1845
Wooded Scene with a Couple Laying under a Tree, by a Stream
undated
36
Robert Smirke, 1752–1845
Woman Sleeping in the Nude in a Wooded Landscape
undated
37
Robert Smirke, 1752–1845
Figure Study of a Nude Woman in a Wooded Landscape
undated
38
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
39
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - The Sleeping Groom
between 1809 and 1811
40
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
41
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
42
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
43
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
44
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
45
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
46
Robert Smirke, 1752–1845
Prospero and Ariel
1821
47
Robert Smirke, 1752–1845
Anne Page and Slender
1821
48
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
49
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
50
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
51
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck