The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
4
Charles Williams, active 1796–1830
The Union Club
undated
5
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
6
unknown artist
Four Figures on a Sheet
undated
7
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
8
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
9
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
10
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
11
James Gillray, 1756–1815
A Morning Ride
1804
12
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
13
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
14
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
15
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
16
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
17
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
18
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
19
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
20
James Gillray, 1756–1815
What a Cur ' tis
1795
21
James Gillray, 1756–1815
The Prodigal Son
1787
22
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
23
James Gillray, 1756–1815
Love's Last Shift
1787
24
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
25
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
26
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
27
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
28
James Gillray, 1756–1815
Les Trois Magots
1791
29
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
30
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
31
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
32
James Gillray, 1756–1815
French Liberty - British Slavery
1792
33
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
34
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
35
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
36
Thomas Rowlandson, 1756–1827
Filial Piety
1788
37
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
38
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
39
James Gillray, 1756–1815
Le Coup de Maitre
1797
40
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
41
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
42
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
43
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
44
James Gillray, 1756–1815
The Royal Society
1786
45
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
46
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
47
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
48
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
49
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
50
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
51
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
52
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
53
James Gillray, 1756–1815
Malagrida, Driving Post
54
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
55
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
56
James Gillray, 1756–1815
Wha Wants Me?
1792
57
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
58
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
59
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
60
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
61
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
62
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
63
James Gillray, 1756–1815
Hounds in Full-Cry
1800
64
Print made by Joseph Brown, 19th century
James Gillray
1848
65
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
66
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
67
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
68
James Gillray, 1756–1815
Destruction of the French Collossus
1798
69
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
70
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
71
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
72
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
73
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
74
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
75
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
76
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
77
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
78
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
79
James Gillray, 1756–1815
Independence
1799
80
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
81
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
82
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
83
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
84
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
85
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
86
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
87
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
88
James Gillray, 1756–1815
The Royal Academy
1786
89
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
90
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
91
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
92
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
93
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
94
James Gillray, 1756–1815
The Triumphant Britons
1780
95
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
96
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
97
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
98
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch