Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Collective Title: Cooke's Picturesque Views of the Southern Coast of England

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

Collective Title Cooke's Picturesque Views of the Southern Coast of England

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

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