Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
4
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
5
Francesco Bartolozzi, 1728–1815
Death of Dido
6
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
7
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
8
Francesco Bartolozzi, 1728–1815
Tancred and Erminia
1784
9
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
10
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
11
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
12
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
13
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
14
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
15
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
16
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
17
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
18
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
19
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
20
Francesco Bartolozzi, 1728–1815
Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
undated
21
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
22
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
23
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
24
George Vertue, 1684–1756
Sir Philip Sidney
1741
25
George Vertue, 1684–1756
Edmund Spenser
1727
26
George Vertue, 1684–1756
Sir John Suckling
1744
27
Gabriel Scorodomoff, 1748–1792
Reflections on Clarissa Harlow
1785
28
Francesco Bartolozzi, 1728–1815
The Cottagers
1794
29
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
30
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
31
Francesco Bartolozzi, 1728–1815
Cordelia
1784
32
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
33
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
34
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
35
Francesco Bartolozzi, 1728–1815
The Dead Ass, Nampont
1799
36
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
37
Francesco Bartolozzi, 1728–1815
Lodona
1792
38
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
39
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
40
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
41
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
42
Francesco Bartolozzi, 1728–1815
The Snuff Box, Calais
1799
43
Francesco Bartolozzi, 1728–1815
Selim of the Shepherd's Moral
1788
44
Francesco Bartolozzi, 1728–1815
The Hours
1788
45
Francesco Bartolozzi, 1728–1815
The Deserted Village
1795
46
Francesco Bartolozzi, 1728–1815
April
1790
47
Francesco Bartolozzi, 1728–1815
May
1793
48
Francesco Bartolozzi, 1728–1815
February
1793
49
Francesco Bartolozzi, 1728–1815
June
1789
50
Francesco Bartolozzi, 1728–1815
September
1793
51
Francesco Bartolozzi, 1728–1815
July
1789
52
Francesco Bartolozzi, 1728–1815
October
1793
53
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
54
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
55
Francesco Bartolozzi, 1728–1815
Cecilia
1783
56
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
57
Francesco Bartolozzi, 1728–1815
August
1793
58
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
59
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
60
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
61
Francesco Bartolozzi, 1728–1815
Lauretta
1776
62
Francesco Bartolozzi, 1728–1815
Jupiter and Io
1784
63
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
64
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
65
Francesco Bartolozzi, 1728–1815
Vede di Mezzo il Fiume un Cavaliero..
1773
66
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
67
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
68
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
69
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
70
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
71
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
72
Francesco Bartolozzi, 1728–1815
Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
1782
73
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
74
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
75
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
76
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
77
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
78
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
79
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
80
Francesco Bartolozzi, 1728–1815
Vortigern And Rowena
1788
81
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
82
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
83
Benjamin Smith, 1775–1833
The Alto Relievo
1796
84
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
85
Anthony Cardon, 1772–1813
Dr. Joseph Warton
undated
86
Niccoló Schiavonetti, 1771–1813
Joseph Warton
1807
87
Simon François Ravenet, 1706–1774
Isaac Watts
undated
88
James Hardy, active 1770s
Joseph Baretti
1794
89
unknown artist
Thomas Percy, Bishop of Dromore
undated
90
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
91
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
92
William Finden, 1787–1852
The Mask
1834
93
William Finden, 1787–1852
Lady Jane Grey
1834
94
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
95
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
96
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
97
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
98
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
99
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
100
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"