The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
4
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
5
James Gillray, 1756–1815
Breathing a vein
1804
6
James Gillray, 1756–1815
The Pigs Possessed
1807
7
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
8
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
9
James Gillray, 1756–1815
Tales of wonder
1802
10
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
11
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
12
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
13
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
14
James Gillray, 1756–1815
Playing in Parts
1801
15
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
16
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
17
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
18
James Gillray, 1756–1815
The Cabinetical Balance
1806
19
James Gillray, 1756–1815
The Friend of the People
1806
20
James Gillray, 1756–1815
Brisk Cathartic
1804
21
James Gillray, 1756–1815
Brisk Cathartic
1804
22
James Gillray, 1756–1815
Charming Well Again
1804
23
James Gillray, 1756–1815
Breathing a Vein
1804
24
James Gillray, 1756–1815
Charming-well again
1804
25
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
26
James Gillray, 1756–1815
Gentle Emetic
1804
27
James Gillray, 1756–1815
Le Diable Boiteaux
1806
28
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
29
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
30
James Gillray, 1756–1815
Fine Bracing Weather
1808
31
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
32
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
33
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
34
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
35
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
36
Print made by Joseph Brown, 19th century
James Gillray
1848
37
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
38
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
39
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
40
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
41
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
42
James Gillray, 1756–1815
A Morning Ride
1804
43
Charles Turner, 1774–1857
James Gillray
1819
44
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
45
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
46
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
47
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
48
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
49
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
50
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
51
James Gillray, 1756–1815
Brisk Cathartic
1804
52
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
53
James Gillray, 1756–1815
Playing in Parts
1801
54
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
55
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
56
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
57
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
58
James Gillray, 1756–1815
One of the Advantages of a Low Carriage
1801
59
James Gillray, 1756–1815
Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)
1800
60
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
61
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
62
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
63
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
64
James Gillray, 1756–1815
Delicious Weather
1808
65
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
66
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
67
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
68
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
69
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
70
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
71
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
72
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
73
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
74
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
75
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
76
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
77
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
78
James Gillray, 1756–1815
Hope
1802
79
James Gillray, 1756–1815
Despair
1802
80
James Gillray, 1756–1815
Lordly Elevation
1802
81
James Gillray, 1756–1815
Governor Wall's Ghost
1802
82
James Gillray, 1756–1815
A Bouquet of the Last Century
1802
83
James Gillray, 1756–1815
Political Dreamings! - Visions of Peace! Prospective Horrors
1801
84
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
85
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
86
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
87
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
88
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
89
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
90
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
91
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
92
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
93
James Gillray, 1756–1815
Forming a Line on the Parade
1801
94
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
95
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
96
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
97
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
98
James Gillray, 1756–1815
The Magnanimous Minister Chastising Prussian Perfidy - Vide the "Morning Chronicle." April 28th
1806
99
James Gillray, 1756–1815
A Welsh Tandem
1801
100
James Gillray, 1756–1815
Liliputian Substitutes, Equiping for Public Services