The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
2
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
3
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
4
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
5
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
6
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
7
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
8
James Gillray, 1756–1815
The Legacy
1786
9
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
10
Print made by James Gillray, 1756–1815
The Sick Prince
1787
11
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
12
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
13
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
14
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
15
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
16
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
17
James Gillray, 1756–1815
Le Coup de Maitre
1797
18
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
19
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
20
James Gillray, 1756–1815
A Hackney Meeting
1796
21
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
22
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
23
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
24
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
25
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
26
James Gillray, 1756–1815
The Royal Academy
1786
27
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
28
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
29
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
30
James Gillray, 1756–1815
The Friendly Agent
1787
31
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
32
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
33
James Gillray, 1756–1815
The Bubbles of Opposition
1788
34
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
35
James Gillray, 1756–1815
Hounds in Full-Cry
1800
36
Thomas Rowlandson, 1756–1827
Filial Piety
1788
37
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
38
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
39
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
40
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
41
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
42
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
43
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
44
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
45
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
46
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
47
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
48
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
49
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
50
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
51
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
52
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
53
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
54
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
55
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
56
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
57
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
58
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
59
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
60
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
61
James Gillray, 1756–1815
French Liberty - British Slavery
1792
62
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
63
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
64
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
65
James Gillray, 1756–1815
The Bottomless-Pitt
1792
66
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
67
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
68
James Gillray, 1756–1815
The Finishing Touch
1791
69
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
70
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
71
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
72
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
73
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
74
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
75
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
76
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
77
Charles Turner, 1774–1857
James Gillray
1819
78
Print made by Joseph Brown, 19th century
James Gillray
1848
79
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
80
James Gillray, 1756–1815
Evacuation Before Resignation
1782
81
James Gillray, 1756–1815
The Republican - Attack
1795
82
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
83
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
84
James Gillray, 1756–1815
A Portrait ------------
1799
85
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
86
James Gillray, 1756–1815
Independence
1799
87
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
88
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
89
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
90
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
91
James Gillray, 1756–1815
Patience on a Monument
1791
92
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
93
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
94
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
95
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
96
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
97
James Gillray, 1756–1815
A Uniform Whig ---
1791
98
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
99
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
100
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)