Maintaining an Inverted Image of an Upside-down Subject
before 1992
14
Bill Jay, 1940–2009
Untitled
before 1992
15
Bill Jay, 1940–2009
Rejected Yet Again, the Photographer Takes Revenge on the Selection Committee
before 1992
16
Bill Jay, 1940–2009
Lorenzo Shows Off his New Zeiss Tessar Lens in a Compur Shutter which He has just Acquired for his J. Lancaster "Improved Special '86" Camera
before 1992
17
Bill Jay, 1940–2009
Untitled
before 1992
18
Bill Jay, 1940–2009
Untitled
before 1992
19
Bill Jay, 1940–2009
Wild-life Photography
before 1992
20
Bill Jay, 1940–2009
Untitled
before 1992
21
Bill Jay, 1940–2009
Untitled
before 1992
22
Bill Jay, 1940–2009
Untitled
before 1992
23
Bill Jay, 1940–2009
Travel Photography
before 1992
24
Bill Jay, 1940–2009
If Things Can Go Wrong, They Will
before 1992
25
Bill Jay, 1940–2009
Untitled
before 1992
26
Bill Jay, 1940–2009
Photographic Baths
before 1992
27
Bill Jay, 1940–2009
Untitled
before 1992
28
Bill Jay, 1940–2009
Untitled
before 1992
29
Bill Jay, 1940–2009
Meanwhile, Back at the Darkroom
before 1992
30
Bill Jay, 1940–2009
Untitled
before 1992
31
Bill Jay, 1940–2009
Empathy
before 1992
32
Bill Jay, 1940–2009
Untitled
before 1992
33
Bill Jay, 1940–2009
Untitled
before 1992
34
Bill Jay, 1940–2009
Untitled
before 1992
35
Bill Jay, 1940–2009
Untitled
before 1992
36
Bill Jay, 1940–2009
Untitled
before 1992
37
Bill Jay, 1940–2009
Untitled
before 1992
38
Bill Jay, 1940–2009
Anti-gravity Device with Built-in Sunshade
before 1992
39
Bill Jay, 1940–2009
Occam's Razor
before 1992
40
Bill Jay, 1940–2009
Taking Photographs Is an Aggressive Act
before 1992
41
Bill Jay, 1940–2009
Self-portrait Under Trying Conditions
before 1992
42
Bill Jay, 1940–2009
Isms
before 1992
43
Bill Jay, 1940–2009
Mother and Baby Photograph
before 1992
44
Bill Jay, 1940–2009
The Good Teacher Points at the Moon; The Good Student Looks at the Moon, Not at the Finger
before 1992
45
Bill Jay, 1940–2009
Untitled
before 1992
46
Bill Jay, 1940–2009
Photographic Immortality
before 1992
47
Bill Jay, 1940–2009
Untitled
before 1992
48
Bill Jay, 1940–2009
Flattery Is the Sincerest Form of Imitation
before 1992
49
Bill Jay, 1940–2009
Untitled
before 1992
50
Bill Jay, 1940–2009
No Head vs. No Heart
before 1992
51
Bill Jay, 1940–2009
Untitled
before 1992
52
Bill Jay, 1940–2009
Untitled
before 1992
53
Bill Jay, 1940–2009
Untitled
before 1992
54
Bill Jay, 1940–2009
Collaboration
before 1992
55
Bill Jay, 1940–2009
Sometimes Words Are Necessary
before 1992
56
Bill Jay, 1940–2009
Untitled
before 1992
57
Bill Jay, 1940–2009
Mrs. Grundy Does Not Approve
before 1992
58
Bill Jay, 1940–2009
Photographer As Individualist
before 1992
59
Bill Jay, 1940–2009
The Photographer's Burden
before 1992
60
Bill Jay, 1940–2009
Untitled
before 1992
61
Bill Jay, 1940–2009
Dog Porn
before 1992
62
Bill Jay, 1940–2009
Design for a Medieval Cannon
before 1992
63
Bill Jay, 1940–2009
Untitled
before 1992
64
Bill Jay, 1940–2009
Photography in America
before 1992
65
Bill Jay, 1940–2009
Untitled
before 1992
66
Bill Jay, 1940–2009
How to Make Stereos How to Make Stereos
before 1992
67
Bill Jay, 1940–2009
Greek Scholars have been Puzzled for Centuries by the Strange Gestures of this Statue... Recent Excavation of a Flat Stone, Obviously Representing a Wet Strip of Negatives, Solves the Problem
before 1992
68
Bill Jay, 1940–2009
If the Picture is No Good, You're Not Close Enough
before 1992
69
Bill Jay, 1940–2009
Twins, with Different Hobbies
before 1992
70
John Dudley Johnston, 1868–1955
The Bridge, Cannon Hill Park, Birmingham
1905
71
Bill Jay, 1940–2009
Untitled
before 1992
72
Bill Jay, 1940–2009
Untitled
before 1992
73
Bill Jay, 1940–2009
Untitled
before 1992
74
Bill Jay, 1940–2009
One of the Risks of Appearing in Public... Is the Likelihood of Being Photographed
before 1992
75
Bill Jay, 1940–2009
Untitled
before 1992
76
Bill Jay, 1940–2009
The Nature of Photographic Reality
before 1992
77
Bill Jay, 1940–2009
Viewers Viewed
before 1992
78
Charles Clifford, ca. 1800–1863
Ruines du Château du Maure, à Cintra (Ruins of the Moorish Castle in Sintra, Portugal)
ca. 1857
79
Robert Thompson Crawshay, 1817–1879
Which Will You Have, Sir?
ca. 1870
80
Roger Fenton, 1819–1869
General Bosquet & Captain Dampierre
1855
81
Roger Fenton, 1819–1869
Southwest Corner of the Kremlin, from the Old Bridge, showing the Arsenal, Treasury, and New Palace, with the Cathedrals & Ivan's Tower
1852
82
Frederick Henry Evans, 1853–1943
Crépuscule au Printemps, France
before 1900
83
William Louis Henry Skeen & Co., 1862–1903
Coconut Palms
1880s
84
William Louis Henry Skeen & Co., 1862–1903
Talipot Palm in Bloom
1880s
85
William Louis Henry Skeen & Co., 1862–1903
Palmyra Palm
1880s
86
Paul Pierre Henry, 1848–1905
Jupiter et ses Satellites, March 10, 1885
1885
87
William Louis Henry Skeen & Co., 1862–1903
Coco De Mer Palm
1880s
88
William Louis Henry Skeen & Co., 1862–1903
Giant Bamboo
1880s
89
William Louis Henry Skeen & Co., 1862–1903
Giant Bamboo at Peradeniya
1880s
90
William Louis Henry Skeen & Co., 1862–1903
Cactus Tree
1880s
91
William Louis Henry Skeen & Co., 1862–1903
Road and Lake at Kandy
1880s
92
William Louis Henry Skeen & Co., 1862–1903
Travelers Palm
1880s
93
David Octavius Hill, 1802–1870
The Letter (Marion Finlay, Mrs. Margaret (Dryburgh) Lyall, and Mrs. Grace Finlay Ramsay)
ca. 1846
94
Bill Jay, 1940–2009
Regatta, Henley-on-Thames, England
2004
95
Bill Jay, 1940–2009
Entrance to Tent Revivalist Meeting, Pima Indian Reservation, Arizona
2004
96
Bill Jay, 1940–2009
Garden, Palace of Versailles, France
2004
97
Bill Jay, 1940–2009
Trevi Fountain, Rome, Italy
2004
98
Bill Jay, 1940–2009
Riverside Gardens, Maidenhead, England
2004
99
Bill Jay, 1940–2009
Self-portrait, with David Hurn, inside Kaleidoscope, Biosphere II, Oracle, Arizona