<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Materials & Techniques brown ink

Remove constraint Materials & Techniques: brown ink

Materials & Techniques gray wash

Remove constraint Materials & Techniques: gray wash

Materials & Techniques pen

Remove constraint Materials & Techniques: pen

Work Type watercolor

Remove constraint Work Type: watercolor

Classification Drawings & Watercolors

Remove constraint Classification: Drawings & Watercolors

Search Results

unknown artist Le Havre and Le Manche: A Map of Le Havre
unknown artist
Le Havre and Le Manche: A Map of Le Havre
undated
Gangaram Chintaman Tambat Exterior View of Keylas (Kailasanatha)
Gangaram Chintaman Tambat, active 1790s
Exterior View of Keylas (Kailasanatha)
ca. 1795
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
Sir James Thornhill The Sermon on the Mount
Sir James Thornhill, 1675–1734
The Sermon on the Mount
undated
Sir James Thornhill A Niche for Mr. Portman's House at Sherborne
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
Sir James Thornhill Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
unknown artist L'Orient 1776: Map of the Port of Orient
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
unknown artist Rouen: A Map of the City and Surrounding Areas
unknown artist
Rouen: A Map of the City and Surrounding Areas
undated
Sawrey Gilpin Boats in a Rainstorm
Sawrey Gilpin, 1733–1807
Boats in a Rainstorm
undated
Rev. William Gilpin Landscape with Castle in the Distance
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
Rev. William Gilpin Landscape (unfinished)
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
William Hamilton Ruins in Rome
William Hamilton, 1751–1801
Ruins in Rome
between 1768 and 1775
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
Edward Byng A Gentleman, wearing a Long Buttoned Coat with Large Cuffs
Edward Byng, c. 1676–1753
A Gentleman, wearing a Long Buttoned Coat with Large Cuffs
undated
Henry Greaves Queen Anne's Court, Cheyne Walk, Chelsea
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
William Henry Hunt Beauvais
attributed to William Henry Hunt, 1790–1864
Beauvais
ca. 1831
Henry Swinburne Gates of the Alhambra: Puerta de los Siete Suelos
Henry Swinburne, 1743–1803
Gates of the Alhambra: Puerta de los Siete Suelos
1775 to 1776
Henry Swinburne Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
Henry Swinburne, 1743–1803
Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
undated
Sir Robert Smirke the younger Temple Near the Site of Ancient Phigalia
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
Thomas Rowlandson Horsemen Colliding
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
Thomas Rowlandson A Grub Street Poet
Thomas Rowlandson, 1756–1827
A Grub Street Poet
undated
Alfred Diston The Peake of Tenerife
Alfred Diston, active 1818–1829
The Peake of Tenerife
1829
Hendrik Danckerts Caerphilly Castle
Hendrik Danckerts, ca. 1625–1680
Caerphilly Castle
undated
Hubert-François Gravelot Drawing for a Frontispiece: "The Toast"
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735