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Materials & Techniques black ink
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Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
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Remove constraint Height [cm]: 24Classification Drawings & Watercolors
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1
- De la Parade de Prime sur le Coup de Seconde
- 1763
2
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
3
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
4
- The Bridge, Walton on Thames
- ca. 1750
5
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
6
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
7
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
8
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
9
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
10
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
11
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
12
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
13
- De la Parade de Seconde sur le Coup de Seconde
- 1763
14
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
15
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
16
- De la Passe en Quarte du Dehors des Armes
- 1763
17
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
18
- Windsor Castle from the North
- undated
19
- De la Parade Dequinte sur le Coup de Quinte
- 1763
20
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
21
- Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
- 1802
22
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
23
- A Dramatic Scene with Three Women in an Interior
- 1794
24
- An Allegory on the Plight of the Artist
- between 1772 and 1790
25
- Figures in a Landscape
- undated
26
- Dr. Mum
- undated
27
- The Rotunda and Gardens, Ranelagh
- ca. 1744
28
- Landing of William of Orange at Tor Bay
- 1688
29
- Bristol
- ca. 1780
30
- Part of Brind Gill in Ligburthwaite
- undated
31
- Six Capitals of Columns in the Court of Lions in the Alambra of Granada
- 1775 to 1776
32
- Coat of Arms Design
- undated
33
- View of the Cascine Near Florence
- 1787
34
- North-West View of the Reverend Mr. Wesley's School at Kingswood, Near Bristol
- undated
35
- Two Greyhounds Lying under a Tree
- undated
36
- Mountainous Landscape
- ca. 1780
37
- Before the Magistrate
- undated
![Samuel Davis Near Kepta [Chapcha] in Bhootan [Bhutan]](https://media.collections.yale.edu/thumbnail/ycba/1ae30b85-bd6d-4500-ac47-56e62fdc912f)
38
- Near Kepta [Chapcha] in Bhootan [Bhutan]
- ca. 1783
39
- The Flight
- undated
40
- The Falls of the Reichenbach
- 1776
41
- Upon the Aare between Unterseen and the Lake of Brientz
- 1776
42
- Between Chamonix and Martigny
- 1776
43
- The Lake of Geneva from the Canton of Berne
- 1776
44
- Frontispiece design for John Fayram's "Eight Views after Nature"
- ca. 1739