<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Subject Terms cave

Remove constraint Subject Terms: cave

Search Results

Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
William Blake Jerusalem, Plate 51
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 87, "Repelling weeping Enion...."
1804 to 1820
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
John Martin Lot Fleeing Sodom
Attributed to John Martin, 1789–1854
Lot Fleeing Sodom
undated
Paul Sandby Views in the Levant: The Sacred Cave of Archidamus
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
Samuel Howitt A Lion Standing over a Wounded Leapard
Samuel Howitt, 1756–1822
A Lion Standing over a Wounded Leapard
undated
Samuel Howitt Lion Attacking a Stag
Samuel Howitt, 1756–1822
Lion Attacking a Stag
undated
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
Samuel Prout Coast Scene near Plymouth
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
Giovanni Battista Borra Plan and View of a Cave, Temple, or Tomb
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of Gethsemene
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
William Pars Sacred Cave of Archidamus
William Pars, 1742–1782
Sacred Cave of Archidamus
undated
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
Elizabeth Pringle A Tiger Lying in the Entrance of a Cave
Elizabeth Pringle, active ca. 1800
A Tiger Lying in the Entrance of a Cave
1796
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820
Prospero and Miranda
1781
Anthony Vandyke Copley Fielding Shipping off Staffa
Anthony Vandyke Copley Fielding, 1787–1855
Shipping off Staffa
1842
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805