Materials & Techniques: chine collé / Collection: Prints and Drawings / Exhibition History: The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) / Image Use: Free to Use

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Materials & Techniques chine collé

Collection Prints and Drawings

Exhibition History The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Image Use Free to Use

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Print made by John Horsburgh, 1791–1869

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by Edward Calvert, 1799–1883

The Sheep of His Pasture

ca. 1828

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros-Horloge, Rouen

1824

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

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