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Materials & Techniques graphite

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Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

On-site Access Accessible by appointment in the Study Room

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Genre architectural subject

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Carlo Labruzzi A Panoramic View toward St. Peter's from the Palace of the Caesars
Carlo Labruzzi, 1748–1817
A Panoramic View toward St. Peter's from the Palace of the Caesars
undated
Carlo Labruzzi The Baths of Caracalla, Rome
Carlo Labruzzi, 1748–1817
The Baths of Caracalla, Rome
undated
Carlo Labruzzi Sepulchre on the Via Nomentana in the Roman Campagna
Carlo Labruzzi, 1748–1817
Sepulchre on the Via Nomentana in the Roman Campagna
undated
Carlo Labruzzi The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.
Carlo Labruzzi, 1748–1817
The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome
undated
Thomas Rowlandson Place des Victoires, Paris
Thomas Rowlandson, 1756–1827
Place des Victoires, Paris
ca. 1783
Jean B. C. Chatelain View with Figures in a Classical Landscape with Ruins
Jean B. C. Chatelain, 1710–1771
View with Figures in a Classical Landscape with Ruins
undated
Thomas Sidney Cooper View of Antwerp Cathedral
Thomas Sidney Cooper, 1803–1902
View of Antwerp Cathedral
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
Stephen Riou Design for a substantial villa. The `Forefront' and profile plan of the front elevation.
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
Stephen Riou Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
Stephen Riou Design for a villa: `The Ground Plan and Elevations of a Villa'
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
James Thomson Grittleton, West Front Elevation, No.5
James Thomson, 1800–1883
Grittleton, West Front Elevation, No.5
1851
James Thomson Grittleton, East Front Elevation, No.7
James Thomson, 1800–1883
Grittleton, East Front Elevation, No.7
1851
Adrian Allinson The Canal Basin
Adrian Allinson, 1890–1959
The Canal Basin
undated
David Cox The Opening of New London Bridge
David Cox, 1783–1859
The Opening of New London Bridge
1831
John Le Keux St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
1822