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1. Dartmoor: The Source of the Tamar and the Torridge

Dartmoor: The Source of the Tamar and the Torridge
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1813
Materials & Techniques:
Watercolor, gouache, graphite and scratching out on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Mutton Cove, Plymouth

Mutton Cove, Plymouth
Creator:
Thomas Sewell Robins, 1814–1880
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Clovelly, North Devon

Clovelly, North Devon
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 29 1/4 x 44 1/2 inches (74.3 x 113 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A View of Core's Library, Dawlish, Devon

A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Southampton and Northam from the River Itchen

Southampton and Northam from the River Itchen
Creator:
Jonathan Fisher, active 1763–1809
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 10 3/4 inches (17.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Kingsteignton, Devon

Kingsteignton, Devon
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1819
Materials & Techniques:
Watercolor and brown ink over graphite on thick, rough, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 3/16 inches (19.4 × 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Coast Scene near Plymouth

Coast Scene near Plymouth
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:
Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Launching of H.M.S. 'Hibernia' 1804

The Launching of H.M.S. 'Hibernia' 1804
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1804
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Sidmouth

Sidmouth
Creator:
David Roberts, 1796–1864
Date:
1845
Materials & Techniques:
Watercolor over graphite with gouache on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Estuary on the River Taw, Devon

Estuary on the River Taw, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Unloading the Luggage From The Exeter Coach

Unloading the Luggage From The Exeter Coach
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Valley of Rocks, Lynton, North Devon

Valley of Rocks, Lynton, North Devon
Creator:
Francis Oliver Finch, 1802–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Valley of Rocks, Devon

Valley of Rocks, Devon
Creator:
unknown artist
Date:
1851
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 9 1/8 inches (15.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Near Sidmouth

Near Sidmouth
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Sidmouth Cliffs

Sidmouth Cliffs
Creator:
unknown artist
Date:
ca. 1830
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 7 × 10 5/16 inches (17.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Berry Pomeroy Church

Berry Pomeroy Church
Creator:
Henry Edridge, 1769–1821
Date:
1818
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 14 5/8 inches (24.8 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection