Materials & Techniques: line engraving and wove paper / Author removed ss: after Joseph Mallord William Turner, 1775–1851, British / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Exhibition History: The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) / Classification: Prints

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Materials & Techniques line engraving

Materials & Techniques wove paper

Author removed ss after Joseph Mallord William Turner, 1775–1851, British

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Exhibition History The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Classification Prints

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by John Horsburgh, 1791–1869

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by John Horsburgh, 1791–1869

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Dudley, Worcestershire

1835

Print made by John Horsburgh, 1791–1869

Folkstone: Harbour, and Coast to Dover, Kent

1831

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