Materials & Techniques: line engraving / Period: 19th century / Genre: 4 selected

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Materials & Techniques line engraving

Period 19th century

Genre architectural subject

Genre cityscape

Genre landscape

Genre marine art

Print made by William John Cooke, 1797–1865

Plymouth, Devonshire

1832

Print made by James C. Allen, active 1821–1831

Whitby

ca. 1830

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by Robert Wallis, 1794–1878

Lancaster, from the Aqueduct Bridge

1827

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by William John Cooke, 1797–1865

Plymouth, Devonshire

1832

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1836

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

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