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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryImage Use Free to Use
Remove constraint Image Use: Free to UseClassification Prints
Remove constraint Classification: PrintsSearch Results
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
1
- A Lion [A recumbent Lion]
- 1788
2
- Tygers at Play
- 1780
3
- A Tiger and a Sleeping Leopard
- 1788
4
- Hay-Makers
- 1791
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
5
- A Lion [A Lion resting on a Rock]
- 1788
6
- A Tyger (Sleeping Leopard)
- 1788
7
- The Farmer's Wife and the Raven
- 1788
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
8
- Dog [A Foxhound on the Scent]
- 1788
9
- A Horse Affrighted by a Lion
- 1788
10
- A Sleeping Leopard
- 1791
11
- Fair Scene
- 1733
12
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
13
- A Midnight Modern Conversation
- 1733
14
- A Rake's Progress, Plate I: He Takes Possession
- 1735
15
- Southwark Fair
- 1733
16
- A Rake's Progress, Plate II: His Levee
- 1735
17
- A Rake's Progress, Plate IV: Goes to Court
- 1735
18
- A Rake's Progress, Plate III: He Revels
- 1735
19
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
20
- Simon Lord Lovat
- 1746
21
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
22
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
23
- Hogarth Painting the Comic Muse
- 1764
24
- The Four Times of Day, Plate I: Morning
- 1738
25
- The Four Times of Day, Plate IV: Night
- 1738
26
- The Four Times of Day, Plate II: Noon
- 1738
27
- A Rake's Progress, Plate VI: He Gambles
- 1735
28
- Scholars at a Lecture (A Chorus of Singers)
- 1736
29
- The Stage Coach; Or Country Inn Yard
- 1747
30
- The Sleeping Congregation
- 1736
31
- Strolling Actresses Dressing in a Barn
- 1738
32
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
33
- Gulielmus Hogarth
- 1749
34
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
35
- Analysis of Beauty, Plate II: A Country Dance
- 1753
36
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
37
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
38
- The Invasion, Plate II: England
- 1756
39
- The Invasion, Plate I: France
- 1756
40
- The Polling, Plate III
- 1758
41
- Chairing the Members, Plate IV
- 1758
42
- An Election Entertainment, Plate I
- 1755-58
43
- The Cockpit
- 1759
44
- The Laughing Audience
- 1733
45
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
46
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
47
- Prospectus print "Crown & Mitre"
- 1754
48
- A Rake's Progress, Plate V: He Marries
- 1735
49
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
50
- Colombus breaking the Egg
- 1753
51
- The Enraged Musician
- 1741
52
- A Consultation of Physicians
- 1736
53
- The Distrest(ed) Poet
- 1740
54
- The Bench
- 1758
55
- William Hogarth
- 1764
56
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
57
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
58
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
59
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
60
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
61
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
62
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
63
- Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
- ca. 1797
64
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
65
- Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
- ca. 1797
66
- Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
- ca. 1797
67
- Young's Night Thoughts, Page 13, "The present moment terminates our sight"
- ca. 1797
68
- Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
- ca. 1797
69
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
70
- Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
- ca. 1797
71
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
72
- Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
- ca. 1797
73
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
74
- Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
- ca. 1797
75
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
76
- Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
- ca. 1797
77
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
78
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
79
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
80
- The First Book of Urizen, Plate 8 (Bentley 9)
- 1794
81
- The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
- 1794
82
- The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
- 1794
83
- The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
- 1794
84
- The First Book of Urizen, Plate 12 (Bentley 22)
- 1794
85
- The First Book of Urizen, Plate 14 (Bentley 14)
- 1794
86
- The First Book of Urizen, Plate 16 (Bentley 17)
- 1794
87
- The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
- 1794
88
- The First Book of Urizen, Plate 18 (Bentley 21)
- 1794
89
- The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
- 1794
90
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
91
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
92
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
93
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
94
- Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
- 1794
95
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
96
- Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
- 1789
97
- Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
- 1789
98
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
99
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
100
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789